Memoirs of the Life and Correspondence of Henry Reeve, C.B., D.C.L.: In Two Volumes. Volume II.Reeve, Henry
History
Memoirs of the Life and Correspondence of Henry Reeve, C.B., D.C.L.: In Two Volumes. Volume II.
Reeve, Henry
Journalists -- Great Britain -- 19th century -- Biography; Reeve, Henry, 1813-1895; Reeve, Henry, 1813-1895 -- Correspondence
_Lowestoft, December 16th_--Surely, dear Mr. Reeve, this is not the first
time you have inquired of me concerning Lowestoft china? Either you, or Dr.
Hooker it might be; whichever it was, I sent him all that I knew about it,
and that all is very little, for I am one of the sceptics, and have been
filled with doubt and surprise at the reports I have heard. But I am told
I am quite mistaken, and that it surely had arrived at a great state of
perfection; that foreign artists had been employed; and that, if what is
shown is not Lowestoft china, what other is it? For there is a peculiarity
in it which those acquainted with [it] know at first sight, and which
is totally different from Chelsea, or Derby, or Worcestershire, or
Staffordshire. This I admit. One peculiarity Mr. S. Martin observed. The
bottoms of the saucers have very slight undulations, looking, as he said,
like a ribbon that requires ironing to be perfectly flat and smooth. This,
when he showed me, I also noticed; and, I must add, I have seen the same in
real Chinese china; but he told me he could distinguish better, and that it
was not the same. Also, there is a uniformity in certain little flowers
and roses which is seen in no others. The shapes are good, and as the
manufacture advanced the painting was improved; armorial bearings were
represented, and gilding.
S. Martin, who could send you a much more perfect account than I can,
always calls on an old woman--the widow of Rose, a painter--who recollects
their melting guineas for gold to gild with. She, perhaps, is dead now, for
when he last called she was bedrid, and nearly insensible. I recommend you
to ask of Mr. S. Martin, Liverpool, who, I am sure, would give you much
information I cannot.
What I do know I will tell as well as I can--That in my early youth there
was a manufactory; that I often went and _saw_ Mr. Allen dab a piece of
white clay on a wheel, and, with his foot turning the wheel, with his
right hand he formed a handsome basin or cup in a minute or two. The china
basins, cups, saucers, pots, jugs--everything was made here, painted here,
by poor sickly looking boys and girls, for it was a very unwholesome
trade--baked here; and they had a shop in London, which, I suppose,
took off the bulk of their manufactured articles. I remember the great
water-wheel which ground the clay--a fearful monster, sublime, I must say,
for it 'hid its limits in its greatness;' but the beautiful lake that
supplied it with water, and was covered with water-lilies, was one of my
favourite resorts.
Public-domain text, read in full here on John Shaqi.
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