Memoirs of the life of David Rittenhouse, LLD. F.R.S., late president of the American Philosophical Society, &c. : $b interspersed with various notices of many distinguished men : with an appendix, containing sundry philosophical and other papers, most of which have not hitherto been publishedBarton, William
History
Memoirs of the life of David Rittenhouse, LLD. F.R.S., late president of the American Philosophical Society, &c. : $b interspersed with various notices of many distinguished men : with an appendix, containing sundry philosophical and other papers, most of which have not hitherto been published
The “Description” here referred to, in Mr. Rittenhouse’s own
hand-writing, is new before the writer of these Memoirs; and is thus
endorsed by the Rev. Mr. Barton—“Original Description of Mr.
Rittenhouse’s Orrery, first communicated to Thomas Barton.”—For the
satisfaction of those, who may not have an opportunity of seeing the
American Philosophical Society’s Transactions, in which this short
account of the Orrery was afterwards published; and, as this _original_
description of it differs somewhat from the _printed_ one, it is
presumed that the introduction of the former into this work, will not be
unacceptable to the reader.
The impossibility of conveying to the mind of any one, even the most
intelligent and skilful, by means of either any delineation upon paper
in the nature of a diagram, or by words, an adequate idea of so complex
and multiform a machine as the one now about to be described, will
instantly be conceived. Indeed no description, alone, can render the
nature of its construction, and the many curious and useful purposes it
is capable of answering, perfectly intelligible to the most scientific
Astronomer. Mr. Rittenhouse’s very concise description of his Orrery
will, therefore, necessarily be found defective: it is thus worded by
himself.
---
“DESCRIPTION OF A NEW ORRERY.
“This Machine is intended to have three faces, standing perpendicular to
the horizon: that in the front to be four feet square, made of
sheet-brass, curiously polished, silvered, and painted in proper places,
and otherwise ornamented. From the centre arises an axis, to support a
gilded brass ball, intended to represent the Sun. Round this ball move
others, made of brass or ivory, to represent the Planets: They are to
move in elliptical orbits, having the central ball in one focus; and
their motions to be sometimes swifter, and sometimes slower, as nearly
according to the true law of an equable description of areas as is
possible, without too great a complication of wheel-work. The orbit of
each Planet is likewise to be properly inclined to those of the others;
and their Aphelia and Nodes justly placed; and their velocities so
accurately adjusted, as not to differ sensibly from the tables of
Astronomy in some thousands of years.
“For the greater beauty of the instrument, the balls representing the
planets are to be of a considerable bigness; but so contrived, that they
may be taken off at pleasure, and others, much smaller, and fitter for
some purposes, put in their places.
“When the Machine is put in motion, by the turning of a winch, there are
three indexes which point out the hour of the day, the day of the month,
and the year (according to the Julian account,) answering to that
situation of the heavenly bodies which is then represented; and so
continually, for a period of 5000 years, either forward or backward.
Public-domain text, read in full here on John Shaqi.
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