Memoirs of the life of David Rittenhouse, LLD. F.R.S., late president of the American Philosophical Society, &c. : $b interspersed with various notices of many distinguished men : with an appendix, containing sundry philosophical and other papers, most of which have not hitherto been publishedBarton, William
History
Memoirs of the life of David Rittenhouse, LLD. F.R.S., late president of the American Philosophical Society, &c. : $b interspersed with various notices of many distinguished men : with an appendix, containing sundry philosophical and other papers, most of which have not hitherto been published
This celebrated Artist is the youngest of ten children of John West, a
person descended from very respectable ancestors, and a native of
England. John early embraced the tenets of the people called Quakers.
Migrating, in the year 1714, to Pennsylvania, where some members of
the same family had arrived with William Penn about fifteen years
before, he married and settled in the vicinity of Philadelphia; and
there his son Benjamin was born.
This gentleman’s residence has been in England, during the last
forty-five years: but he left his native country some considerable
time prior to that period; having first visited Italy, and some other
schools of painting on the continent. When a Society of Artists was
instituted in London, a few years after the accession of the present
king to the throne, Mr. West (who had then recently arrived in
England, on his return from Italy,) became a member of that body.
Their exhibitions of painting, sculpture and architectural designs,
became objects of attention to men of taste in the fine arts;—“the
young Sovereign,” says Mr. West (in a letter to Mr. C. W. Peale,
written in 1809,[263c]) “was interested in their prosperity.” After
the dissolution of that society, the king desired Mr. West and three
other artists to form a plan for a Royal Academy; which having been
approved by his majesty, he directed that it should be carried into
execution. “Thus,” continues Mr. West, “commenced the institution of
the Royal Academy of London[263d]:” And again, speaking of this
patronage, he says;—“his majesty, by his regard for the arts, gave a
dignity to them, unknown before in the country.” Referring to this
meritorious patronage of the fine arts by the present king of England,
Mr. Latrobe (in his Anniversary Oration before the Society of Artists
in Philadelphia, in May, 1811,) makes this just remark: “Nor ought we
to omit mention of the name of George III. by whose patronage, our
illustrious countryman, West, has become the first historical painter
of the age.”
Footnote 263a:
Towards the incorporation of either one or the other of these
institutions with the present establishment of the Pennsylvania
Hospital, the managers possess, also, sixteen shares of stock in the
Bank of Pennsylvania, bestowed by the First Troop of Cavalry in
Philadelphia. The product of this noble and very valuable donation,
and which is considered as being equivalent to a capital stock of
$8503.33, will, most probably, be wholly applied to the support of a
Lying-in Hospital, as part of the great institution.
Footnote 263b:
Thirty pounds a year were payable to Mrs. Abington, a daughter of Dr.
Chovet, during her life, on account of this purchase. That annuity has
very recently been extinguished, by the death of the annuitant.
Footnote 263c:
See the _Port Folio_, for January, 1810.
Footnote 263d:
Public-domain text, read in full here on John Shaqi.
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