Mr. Jeffrey had known Scott from his youth--and, in reviewing Waverley, he was at no pains to conceal his conviction of its authorship. He quarrelled, as usual, with carelessness of style, and some inartificialities of plot, but rendered justice to the substantial merits of the work, in language which I shall not mar by abridgment. The Quarterly was far less favorable in its verdict. Indeed, the articles on Waverley, and afterwards on Guy Mannering, which appeared in that journal, will bear the test of ultimate opinion as badly as any critical pieces which our time has produced. They are written in a captious, cavilling strain of quibble, which shows as complete blindness to the essential interest of the narrative, as the critic betrays on the subject of the Scottish dialogue, which forms its liveliest ornament, when he pronounces that to be "a dark dialogue of Anglified Erse." With this remarkable exception, the professional critics were, on the whole, not slow to confess their belief, that, under a hackneyed name and trivial form, there had at last appeared a work of original creative genius, worthy of being placed by the side of the very few real masterpieces of prose fiction. Loftier romance was never blended with easier, quainter humor, by Cervantes himself. In his familiar delineations he had combined the strength of Smollett with the native elegance and unaffected pathos of Goldsmith; in his darker scenes he had revived that real tragedy which appeared to have left our stage with the age of Shakespeare; and elements of interest so diverse had been blended and interwoven with that nameless grace, which, more surely perhaps than even the highest perfection in the command of any one strain of sentiment, marks the master-mind cast in Nature's most felicitous mould. Scott, with the consciousness (avowed long afterwards in his General Preface) that he should never in all likelihood have thought of a Scotch novel had he not read Maria Edgeworth's exquisite pieces of Irish character, desired James Ballantyne to send her a copy of Waverley on its first appearance, inscribed "from the author." Miss Edgeworth, whom Scott had never then seen, though some literary correspondence had passed between them, thanked the nameless novelist, under cover to Ballantyne, with the cordial generosity of kindred genius;[104] and the following answer, not from Scott, but from Ballantyne--(who had kept a copy, now before me)--is not to be omitted:-- TO MISS EDGEWORTH, EDGEWORTHSTOWN, IRELAND. EDINBURGH, 11th November, 1814.