Memoirs of the Life of Sir Walter Scott, Volume 5 (of 10)Lockhart, J. G. (John Gibson)
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Memoirs of the Life of Sir Walter Scott, Volume 5 (of 10)
Lockhart, J. G. (John Gibson)
Authors, Scottish -- 19th century -- Biography; Scott, Walter, 1771-1832
"Can you not borrow from your briefs and criticism a
couple of days to look about you here? I dare not ask
Mrs. Jeffrey till next year, when my hand will be out of
the mortar-tub; and at present my only spare bed was
till of late but accessible by the feudal accommodation
of a drawbridge made of two deals, and still requires
the clue of Ariadne.... I am like one of Miss
Edgeworth's heroines, master of all things in
miniature--a little hill, and a little glen, and a
little horse-pond of a loch, and a little river, I was
going to call it,--the Tweed; but I remember the
minister was mobbed by his parishioners for terming it,
in his statistical report, an inconsiderable stream. So
pray do come and see me, and if I can stead you, or
pleasure you, in the course of the winter, you shall
command me."--Cockburn's _Life of Jeffrey_, vol. i p.
417.]]
It was while struggling with such languor, on one lovely evening of
this autumn, that he composed the following beautiful verses. They
mark the very spot of their birth,--namely, the then naked height
overhanging the northern side of the Cauldshiels Loch, from which
Melrose Abbey to the eastward, and the hills of Ettrick and Yarrow to
the west, are now visible over a wide range of rich woodland,--all the
work of the poet's hand:--
{p.177} "The sun upon the Weirdlaw Hill,
In Ettrick's vale, is sinking sweet;
The westland wind is hush and still--
The lake lies sleeping at my feet.
Yet not the landscape to mine eye
Bears those bright hues that once it bore;
Though evening, with her richest dye,
Flames o'er the hills of Ettrick's shore.
"With listless look along the plain
I see Tweed's silver current glide,
And coldly mark the holy fane
Of Melrose rise in ruin'd pride.
The quiet lake, the balmy air,
The hill, the stream, the tower, the tree,--
Are they still such as once they were,
Or is the dreary change in me?
"Alas! the warp'd and broken board,
How can it bear the painter's dye!
The harp of strain'd and tuneless chord,
How to the minstrel's skill reply!
To aching eyes each landscape lowers,
To feverish pulse each gale blows chill;
And Araby's or Eden's bowers
Were barren as this moorland hill."
He again alludes to his illness in a letter to Mr. Morritt:--
TO J. B. S. MORRITT, ESQ., M. P., ROKEBY.
ABBOTSFORD, August 11, 1817.
Public-domain text, read in full here on John Shaqi.
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