Memoirs of the Princesse de Ligne, Vol. 1 (of 2)Massalska, Apolonia Helena
History
Memoirs of the Princesse de Ligne, Vol. 1 (of 2)
Massalska, Apolonia Helena
Ligne, Charles Joseph, prince de, 1735-1814; Massalska, Apolonia Helena, 1763-1815
“There had been for two years at the novitiate a young lady called
Mademoiselle de Rastignac, who was twenty years of age. She appeared
absorbed in the deepest melancholy, was constantly ill, and spent most
of her time in the infirmary. She had already adopted the nun’s habit;
and twice had been on the point of pronouncing her vows, but each time
she fell ill, and the ceremony had to be put off. Her director, Dom
Thémines, urged the indefinite postponement of her vows, and it was
rumoured that she was being made a nun against her will. Once we spoke
to Madame de Rochechouart about it, and she replied that she did not
interfere in any way with the novices; but that if she thought she was
being made to embrace a monastic life against her will she would not
give her vote. Two or three times she was sent back to her family, so
as to bring her once more into contact with the world, but in vain. At
last a day was fixed for the final ceremony to take place, and it was
said that although she was very ill, and could hardly stand, she wished
to pronounce her vows.
“On the day of her initiation all the Hauteforts in the world filled
the church, for she was their near relative. Mademoiselle de Guignes
carried the wax taper and acted as her godmother; the Comte d’Hautefort
was her squire. She was very pretty. First she went to the outer
church and knelt down on a praying chair. Her dress was white crape,
embroidered with silver and covered with diamonds. She bore up very
well during the address from the Abbé de Marolle, in which he told her
it was a great merit in the sight of God to renounce the world, when
one was made to be loved and be the charm and ornament of society. It
seemed as if he took pleasure in painting a glowing picture of all that
she was going to give up; but she bore it with a firm countenance.
“After the address the Comte d’Hautefort took her hand and led her to
the cloister door. As soon as she had entered it was closed upon her
with a great crash--it is a way they have on these occasions. We all
remarked that she turned very pale. She entered the court more dead
than alive. It was said that she was ill, but it seemed to us as if her
mind suffered more than her body. When she reached the choir gates they
were closed, while she was undressed and her worldly ornaments taken
from her. She had long fair hair; when it was let down we were all
on the point of crying out to prevent its being cut off, and all the
pupils exclaimed under their breath, ‘What a pity!’ At the moment when
the mistress of the novices put her scissors to it she gave a start.
They laid her hair on a large silver platter; it was lovely. Then they
clothed her in the dress of the order, put on the veil, and a wreath of
white roses, after which the grating was opened, and she was presented
to the priest, who blessed her.
Public-domain text, read in full here on John Shaqi.
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