Memoirs of the Princesse de Ligne, Vol. 2 (of 2)Massalska, Apolonia Helena
History
Memoirs of the Princesse de Ligne, Vol. 2 (of 2)
Massalska, Apolonia Helena
Ligne, Charles Joseph, prince de, 1735-1814; Massalska, Apolonia Helena, 1763-1815
Her empty palace, rapidly metamorphosed by her own able hands, became
one of the most elegant in Warsaw, and she availed herself of the
opportunity to display the remarkable domestic qualities she possessed,
and which had been so little appreciated by her mother-in-law. During
the latter time of her stay at Bel Œil her husband had forbidden her to
ride, on account of her delicate health; she now amply made up for that
privation. The Prince-Bishop, who thoroughly spoilt her, gave her the
most beautiful horses, and she might be seen every morning on horseback
escorted by several young noblemen who were perfect horsemen, as are
all the Poles. She built a theatre in her palace, and gratified her
love of acting to her heart’s content.
Freed from the supervision that oppressed her at Bel Œil, Hélène
abandoned herself without constraint to the irresistible charms of
this life of pleasure. She forgot the past, her husband, and her
daughter even; the Princesse Charles de Ligne no longer existed--Hélène
Massalska alone remained.
Winter was rapidly drawing to a close, and the Princess still gave
no thought to Vienna. The de Ligne family, justly offended at her
prolonged absence, preserved a disdainful silence.
The Prince-Bishop had returned to Wilna during the vacation of the
Diet, but his niece, who wished to enjoy the summer season, just then
beginning, remained alone at Warsaw.
The King, his family, and the most important personages at Court, had
elegant country-houses in the suburbs, where they indulged in the most
sumptuous and original festivities. The greatest luxury was displayed
in these entertainments, where each host endeavoured to surpass his
neighbour in planning surprises and unforeseen effects. The first one
at which the Princess Charles appeared was given by the Princess André
Poniatowska. “The heat on that day had been suffocating; the Prince led
his visitors to a grotto formed by an artificial rock, from which fell
a cascade, imparting by its very sound a cool and agreeable sensation.
Then they all went into the grotto, where they rested for a few minutes
on the soft mossy banks, after which the Prince proposed a walk in the
park. They entered a shady avenue leading to a door, which was hidden
in the foliage; he touched a spring, the door flew open, and disclosed
a magnificent circular hall, splendidly illuminated, and painted with
frescoes representing allegorical subjects; it was surrounded by
niches in the walls containing Turkish divans, which were covered with
the richest brocades. The back of these recesses was of a dead gold,
contrasting marvellously with the black hair and delicate complexion
of the Polish ladies who came to rest in them. They had barely seated
themselves when strains of music were heard, which seemed to descend
mysteriously from the skies. Suddenly the floor opened, and a table,
magnificently laid out, slowly ascended, as if at the touch of a
Public-domain text, read in full here on John Shaqi.
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