Memoirs of the Reign of King George the Third, Volume 1 (of 4)Walpole, Horace
History
Memoirs of the Reign of King George the Third, Volume 1 (of 4)
Walpole, Horace
Great Britain -- History -- 1760-1789; Great Britain -- History -- George III, 1760-1820
Events now thickened so fast, that to avoid confusion, I will here
say a little more on this head. The plot so hopefully laid to blow up
Wilkes, and ruin him in the estimation of all the decent and grave,
had, at least in the latter respect, scarce any effect at all. The
treachery was so gross and scandalous, so revengeful, and so totally
unconnected with the political conduct of Wilkes, and the instruments
so despicable, odious, or in whom any pretensions to decency,
sanctimony, or faith, were so preposterous, that losing all sight of
the scandal contained in the poem, the whole world almost united in
crying out against the informers. Sandwich, in opening the discovery,
had canted till his own friends could not keep their countenances.
Sir Francis Dashwood was not more notorious for singing profane and
lewd catches; and what aggravated the hypocrisy, scarce a fortnight
had passed since this holy Secretary of State himself had been present
with Wilkes at a weekly club to which both belonged, held at the top
of Covent Garden Theatre, and composed of players and the loosest
revellers of the age. Warburton’s part was only ridiculous, and was
heightened by its being known that Potter, his wife’s gallant, had had
the chief hand in the composition of the verses. However, an intimacy
commenced between the Bishop and Sandwich, and some jovial dinners
and libations of champagne cemented their friendship. Kidgell, the
jackall, published so precise, affected, and hypocritic an account of
the transaction, that he, who might have escaped in the gloom of the
treachery, completely blasted his own reputation; and falling into
debt, was, according to the fate of inferior tools, abandoned by his
masters, and forced to fly his country. Though the rank and fortune of
Sandwich saved him from disgrace of that kind, he had little reason
to exult in his machination. He brought a stigma on himself that
counterworked many of his own views and arts; and Churchill the poet
has branded his name on this account with lasting colours. The public
indignation went so far, that the Beggar’s Opera being performed at
Covent Garden Theatre soon after this event, the whole audience, when
Macheath says, “_That Jemmy Twitcher should peach me, I own surprises
me_,” burst out into an applause of application; and the nick-name of
_Jemmy Twitcher_ stuck by the Earl so as almost to occasion the disuse
of his title.
Public-domain text, read in full here on John Shaqi.
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