Memoirs of William WordsworthPhillips, George S. (George Searle)
General
Memoirs of William Wordsworth
Phillips, George S. (George Searle)
Poets, English -- 19th century -- Biography; Wordsworth, William, 1770-1850
Enough, however, has been said about these critics, for the present, at
least. Wordsworth’s was a struggle to get for poetry, once more, a true
utterance; to annihilate the old dead, mechanical form which it had for
the most part assumed, from the time of Pope downwards to him; for
although Burns and Cowper had sounded the first trumpet in this morning
of the resurrection, it was reserved for Wordsworth to awake the dead,
and infuse into them a new and living soul.
During the residence of the poet at Grasmere, his sister kept a diary of
the proceedings of their little household, which, with Wordsworth’s
letters, are the chief biographical records of this period, respecting
the poet himself. The following extracts will give some idea of the calm
and beautiful life which they led together:--
“As we were going along, we were stopped at once, at the distance,
perhaps of fifty yards from our favourite birch-tree; it was yielding
to the gust of wind, with all its tender twigs; the sun shone upon it,
and it glanced in the wind like a flying sunshiny shower; it was a tree
in shape, with a stem and branches, but it was like a spirit of
water....
When we were in the woods before Gowbarrow Park, we saw a few
_daffodils_ close to the water-side.... As we went along there were
more, and yet more; and at last, under the boughs of the trees, we saw
there was a long belt of them along the shore. I never saw daffodils so
beautiful. They grew among the mossy stones about them; some rested
their heads on these stones, as on a pillow; the rest tossed, and
reeled, and danced, and seemed as if they verily laughed with the wind,
they looked so gay and glancing.”
The poet was frequently indebted to this beautiful sister for the
_material_ of his poems; and many of the minor pieces are a musical
transformation of her descriptions of natural scenery, and the feelings
with which she beheld it. The poem of “The Beggars” is an instance of
this; and if the reader will peruse “The Daffodils,” and compare it with
Miss Wordsworth’s description of these fair flowers, as quoted above,
he will perhaps discover how much the poet is indebted to her, in this
instance also. Here is the poem.
“I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of _golden daffodils_,
Beside the lake, beneath the trees,
_Fluttering and dancing in the breeze_.
Continuous as the stars that shine
And twinkle on the milky way,
They stretch’d in never ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Outdid the sparkling waves in glee:
A poet could not but feel gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought.
Public-domain text, read in full here on John Shaqi.
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