Memorabilia Mathematica; or, the Philomath's Quotation-Book
Science
Memorabilia Mathematica; or, the Philomath's Quotation-Book
Mathematics; Mathematics -- Quotations, maxims, etc.
=1039.= A short, broad man of tremendous vitality, the physical type
of Hereward, the last of the English, and his brother-in-arms,
Winter, Sylvester’s capacious head was ever lost in the highest
cloud-lands of pure mathematics. Often in the dead of night he
would get his favorite pupil, that he might communicate the very
last product of his creative thought. Everything he saw suggested
to him something new in the higher algebra. This transmutation of
everything into new mathematics was a revelation to those who knew
him intimately. They began to do it themselves. His ease and
fertility of invention proved a constant encouragement, while
his contempt for provincial stupidities, such as the American
hieroglyphics for Π and _e_, which have even found their way
into Webster’s Dictionary, made each young worker apply to himself
the strictest tests.--HALSTED, G. B.
_F. Cajori’s Teaching and History of
Mathematics in the U. S. (Washington,
1890), p. 265._
=1040.= Sylvester’s writings are flowery and eloquent. He was
able to make the dullest subject bright, fresh and interesting.
His enthusiasm is evident in every line. He would get quite close
up to his subject, so that everything else looked small in
comparison, and for the time would think and make others think
that the world contained no finer matter for contemplation. His
handwriting was bad, and a trouble to his printers. His papers
were finished with difficulty. No sooner was the manuscript in
the editor’s hands than alterations, corrections, ameliorations
and generalizations would suggest themselves to his mind, and
every post would carry further directions to the editors and
printers.--MACMAHON. P. A.
_Nature, Vol. 55 (1897), p. 494._
=1041.= The enthusiasm of Sylvester for his own work, which manifests
itself here as always, indicates one of his characteristic qualities:
a high degree of _subjectivity_ in his productions and publications.
Sylvester was so fully possessed by the matter which for the time
being engaged his attention, that it appeared to him and was
designated by him as the summit of all that is important, remarkable
and full of future promise. It would excite his phantasy and power
of imagination in even a greater measure than his power of
reflection, so much so that he could never marshal the ability to
master his subject-matter, much less to present it in an orderly
manner.
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