The first printed Poetical Miscellany, in the English language, is the Collection of Poems, edited and published by Tottel, entitled “Songes and Sonnettes of Surrey, Wyat, and of uncertain Auctors, London, 1557.”—Another edition, 1565—others in 1574, 1585, 1587. The last edition was edited by Dr. George Sewell, in 1717.—This Dr. Sewell was a physician in London; he received his early education at Eton, which he afterwards completed at Cambridge, where he took the degree of Bachelor of Physic in 1709. From thence he went to Leyden, where he studied under the celebrated Boerhaave. Not being successful in the metropolis, he removed to Hampstead, where he died on the 8th of February, 1726. As an author he possessed a considerable share of genius, and wrote in concert with several of his contemporaries, particularly in the Spectator and Tatler; he was principally concerned in the ninth volume of the former, and in the fifth of the latter, as he was also in a translation of Ovid’s Metamorphoses, and an edition of Shakespeare’s Poems. He was the author of a Tragedy, entitled “Sir Walter Raleigh,” published at London in 1719, and also of another, which he left unfinished, entitled “King Richard the First,” the fragments of which were printed in 1728. THE HAND A SYMBOL OF POWER. In Parkhurst’s Hebrew Lexicon we have the following remarks on the Hand as an emblem of strength and power. “The hand was used by the Jews, as a trophy or monument of victory, and placed on the top of a pillar. Thus Saul, after smiting the Amalekites, in the pride of his heart erected to or for himself (not for Jehovah) a hand, 1 Samuel xv. 12. And David smote Hadadezer, king of Zobah, when he was going to erect his hand or trophy, by the river Euphrates, 2 Sam. viii. 3, and 1 Chronicles, xviii. 3.—And this appears to be the most ancient use of these memorial hands; whence Absalom seems to have taken the hint of erecting one, merely to keep his name in remembrance, 2 Sam. xviii. 18, where it may be observed that this monument is expressly called not only a _hand_, but _a pillar_, which shews that the hand was wont to be put on a pillar. “Neibuhr (Voyage in Arabia, tom. 2. p. 211. French edition) speaking of Ali’s mosque at Mesched Ali, says, that ‘at the top of the dome’ where one generally sees on the Turkish mosques a crescent, or only a pole, there is here _a hand stretched out_, to represent that of Ali.” And another writer informs us, that at the Alhambra, or red palace of the Moorish kings in Granada, “on the key-stone of the outward arch [of the present principal entrance] is sculptured the figure of an _arm_, the symbol of strength and dominion.”