Modern appraisers of the oracular establishments are too commonly in all moral senses anachronists. We hear it alleged with some plausibility against Southey's portrait of Don Roderick, though otherwise conceived in a spirit proper for bringing out the whole sentiment of his pathetic situation, that the king is too Protestant, and too evangelical, after the model of 1800, in his modes of penitential piety. The poet, in short, reflected back upon one who was too certain in the eighth century to have been the victim of dark popish superstitions, his own pure and enlightened faith. But the anachronistic spirit in which modern sceptics react upon the Pagan Oracles is not so elevating as the English poet's. Southey reflected his own superiority upon the Gothic prince of Spain. But the sceptics reflect their own vulgar habits of mechanic and compendious office business upon the large institutions of the ancient Oracles. To satisfy them, the Oracle should resemble a modern coach-office--where undoubtedly you would suspect fraud, if the question "How far to Derby?" were answered evasively, or if the grounds of choice between two roads were expressed enigmatically. But the _to loxon_, or mysterious indirectness of the Oracle, was calculated far more to support the imaginative grandeur of the unseen God, and was designed to do so, than to relieve the individual suitor in a perplexity seldom of any capital importance. In this way every oracular answer operated upon the local Grecian neighborhood in which it circulated as one of the impulses which, from time to time, renewed the sense of a mysterious involution in the invisible powers, as though they were incapable of direct correspondence or parallelism with the monotony and slight compass of human ideas. As the symbolic dancers of the ancients, who narrated an elaborate story, _Saltando Hecubam_, or _Saltando Loadamiam_, interwove the passion of the advancing incidents into the intricacies of the figure--something in the same way, it was understood by all men, that the Oracle did not so much evade the difficulty by a dark form of words, as he revealed his own hieroglyphic nature. All prophets, the true equally with the false, have felt the instinct for surrounding themselves with the majesty of darkness. And in a religion like the Pagan, so deplorably meagre and starved as to most of the draperies connected with the mysterious and sublime, we must not seek to diminish its already scanty wardrobe. But let us pass from speculation to illustrative anecdotes. We have imagined several cases which might seem fitted for giving a shock to the general Pagan confidence in Oracles. Let us review them.