Memorials and Other Papers — Volume 2De Quincey, Thomas
History
Memorials and Other Papers — Volume 2
De Quincey, Thomas
English essays
The figure, meantime, stood tranquil and collected, apparently not in
the least disturbed by the consciousness of his situation, or the
breathless suspense of more than a thousand spectators of rank and
eminent station, all bending their looks upon himself. He had been
leaning against a marble column, as if wrapped up in revery, and
careless of everything about him. But when the dead silence announced
that the ceremony was closed, that he only remained to answer for
himself, and upon palpable proof--evidence not to be gainsayed--
incapable of answering satisfactorily; when, in fact, it was beyond
dispute that here was at length revealed, in bodily presence, before
the eyes of those whom he had so long haunted with terrors, The Masque
of Klosterheim,--it was naturally expected that now, at least, he would
show alarm and trepidation; that he would prepare for defence, or
address himself to instant flight.
Far otherwise! Cooler than any one person beside in the saloon, he
stood, like the marble column against which he had been reclining,
upright, massy, and imperturbable. He was enveloped in a voluminous
mantle, which, at this moment, with a leisurely motion, he suffered to
fall at his feet, and displayed a figure in which the grace of an
Antinous met with the columnar strength of a Grecian Hercules,--
presenting, in its _tout ensemble_, the majestic proportions of a
Jupiter. He stood--a breathing statue of gladiatorial beauty, towering
above all who were near him, and eclipsing the noblest specimens of the
human form which the martial assembly presented. A buzz of admiration
arose, which in the following moment was suspended by the dubious
recollections investing his past appearances, and the terror which
waited even on his present movements. He was armed to the teeth; and he
was obviously preparing to move.
Not a word had yet been spoken; so tumultuous was the succession of
surprises, so mixed and conflicting the feelings, so intense the
anxiety. The arrangement of the groups was this: At the lower half of
the room, but starting forward in attitudes of admiration or suspense,
were the ladies of Klosterheim. At the upper end, in the centre, one
hand raised to bespeak attention, was The Masque of Klosterheim. To his
left, and a little behind him, with a subtle Venetian countenance, one
hand waving back a half file of musketeers, and the other raised as if
to arrest the arm of The Masque, was the wily minister Adorni, creeping
nearer and nearer with a stealthy stride. To his right was the great
body of Klosterheim cavaliers, a score of students and young officers
pressing forward to the front; but in advance of the whole, the
Landgrave of X----, haughty, lowering, and throwing out looks of
defiance. These were the positions and attitudes in which the first
discovery of The Masque had surprised them; and these they still
retained. Less dignified spectators were looking downwards from the
galleries.
Public-domain text, read in full here on John Shaqi.
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