In Derbyshire, as elsewhere, ornamental treatment, either of rood-stair entrance or of rood-door itself, is so abnormal as to call, wherever such does occur, for notice. Ashbourne church may be said to furnish an instance in point. There, in the southern transept, the south-east pier of the central tower contains a staircase, which, though constructed doubtless contemporaneously with the building of the tower itself, and, therefore, anterior to the general introduction of rood-lofts, would certainly have served to give access to the rood-loft as soon as ever that adjunct was provided at Ashbourne church. The door, then (see illustration), may not unjustly be ranked among rare examples of ornamented rood-doors. Under a moulded label, terminating on the left in a sculptured head that cannot strictly claim to be an authentic product of the period, stands this handsome oak door of late thirteenth century workmanship. It is divided vertically into two ogival-headed panels, and is enriched with wrought-iron bands and hinges, in a very fair state of preservation, although it is to be regretted that their elegant contour is partly hidden by a clumsy modern timber lining inserted into the masonry opening. It cannot have escaped the notice of attentive observers how often the steps of rood-stairs in parish churches have been trodden into hollows, as though they had been subjected to much wear and tear. Such must, indeed, have been very constant to have left its mark thus pronouncedly upon rood-stairs, and that, too, in the comparatively short period of their use—in many cases, of not above, perhaps, a hundred years’ duration—between the date of their erection and of the Reformation changes, which sent them back again into disuse. Some other explanation, then, more convincing and more in accord with the evidence of fact than the suggestion of a mere ceremonial function in the rood-loft on special occasions, must be adduced to account for the regular employment of the rood-stair. That the lay folk, being many, rather than the officiant minister and his clerks, being few, were they who trod the stairs leading into the parochial rood-loft, is evident. The main function of the rood-loft in parish churches was to accommodate singers, musicians, and their instruments. Again, it should be borne in mind that very often (as churches, for example, like Ashover, Old Brampton, Edensor, Staveley, Tideswell, and Wingerworth attest) a sacring-bell hung in the eastern gable of the nave, or (as in cruciform churches like that of Ashbourne) in the central tower, in either event immediately above the rood-loft. Than the latter, then, there was no better position that the sacrist could be placed in; the rood-loft affording him an excellent vantage-ground from which to keep an eye upon the movements of a priest saying mass at any altar in the building, and to summon the people at the bidding of the bell when the