Derbyshire (England) -- Antiquities; Derbyshire (England) -- History
One other point remains to be noted in these somewhat desultory remarks
on the old surveys. In several places occur lines marked “Forest Wall.”
This was the stone wall of a very considerable circuit that enclosed
most of the Campana or Champagne district of the Peak Forest, where
the feeding for the King’s game of deer was the best. It was not a
high park wall to keep the deer in, but a comparatively low one,
with a dyke. Its object was to prevent sheep or cattle that might be
agisted within the forest from trespassing on the parts particularly
serviceable as pasturing ground for the often hardly tried deer; but
it had to be low enough to allow hinds and fawns, as well as harts,
readily to leap it when desirous of roaming further afield. It is quite
possible to trace in certain places the building of this unmortared
forest wall, which is constructed in a decidedly superior fashion to
other and later wall fences. One of the best places in which to note it
is on the lofty ridge that separates Edale from Castleton dale. In the
midst of this there is a pass and gateway in the forest wall, called
Ludgate in the old plans.
In June, 1561, Queen Elizabeth issued a commission of enquiry as to the
condition of Peak Castle and Forest. The commissioners were instructed,
among other matters:
“To view the height of one wall erected and made in or about one
parcell of one pasture called the Champion within our saide foreste,
how brode and depe the Dike in and about the same wall is, whether the
same dike be drye or standinge with water for the most parte of the
yere, pasture notwithstandinge the said walle and dike, and whether
the said wall and dyke be noisome or hurtefull to or for our deare and
game there, and to thinderance of the grasse for our said deare, or be
better for the cherisshinge of our said game and deare there or not.”
OLD COUNTRY LIFE IN THE SEVENTEENTH CENTURY
By Sir George Reresby Sitwell, Bart., F.S.A.
The charm of country life, as we know it in England, lies almost as
much in old associations as in scenery and sport. An ancient hall
without its records is a body without a soul, and can never be fully
enjoyed until one has learnt something of the men and women whom it has
sheltered in the past—of their lives and manners, their love affairs,
their wisdom, and their follies; how the oak furniture gave way to
walnut, and the walnut to mahogany; how they laid out the gardens,
raised the terrace, clipped the hedges, and planted the avenue. Such
reflections have committed me to a task which has proved heavier than
I desired or anticipated. Indeed, I should never have persevered with
it had I not early come under the influence which an old house so often
exercises upon those who live under its roof; sometimes for evil, as
when a family inheritance of ill-health depends upon faulty drainage or
a waterlogged soil; sometimes as a spur to ambition, an incentive to
effort, or a liberal education in art.
Public-domain text, read in full here on John Shaqi.
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