The key-stone of the doorway under the cloister gives the date of the building as 1664. Strange to say, it is a Gothic structure of the most picturesque design and arrangement. At the time it was built, architecture had been given over almost entirely to the Renaissance and Italian schools. It is singular, therefore, to find here at Plympton an unconventional style adopted at such a time, but it has been suggested that the same eccentric architect who designed the fine Gothic church of Charles in Plymouth in the middle of the seventeenth century built also the Grammar School in the neighbouring town, and the points of resemblance are certainly very great. We have the same evidence of the desire to do something good and true in both—the same good outline and arrangement of parts, and the same superadded faults in little details, as though the designer himself knew what he was about, but could not bring his workmen up to the mark. No wonder little Reynolds saw something to admire in the outline and shadows of the cloisters, for nothing can be better than the proportions of the pillars and arches, and the banding of the masonry over in alternate courses about six inches high, of granite and dark limestone. In fact, the lower portion of the building is the most pleasing piece of masonry in this neighbourhood; and though the large square-headed windows over are not so good, yet the angle of the roof is excellent, and the large Perpendicular windows at the ends not without merit. The schoolroom is about sixty-three feet long by twenty-six feet in width, the master’s desk at one end, and on each side of the window (over) a rudely-painted shield, with the armorial bearings of Hele and Maynard. Overhanging the entrance on one side is a small gallery, approached from a chamber probably once used as a class or flogging room, but now too dilapidated for either practical purpose, and much in keeping with the rest of the building, which is rather out at elbows. In fact—what with the Castle, Priory, and Grammar School—the description which the American gave of Rome will apply to Plympton—“_Quite_ a nice place, but the public buildings very much out of repair.” The Master’s house adjoins the school-room, and here the great painter was born. The front appears to be comparatively modern, but the bedroom in which he is said to have first seen the light is in the back and older part of the house, with a window overlooking the school and playground, as before mentioned. Some rough sketches, drawn by Reynolds in his youth, were to be seen on the walls of this room when Haydon and Wilkie visited the house in 1809, but have since been obliterated by some barbarous whitewasher. The engraving represents the cloisters of the Grammar School, the subject of almost the first drawing Reynolds ever made. Sir Joshua Reynolds was born on the 16th July, 1723, and was baptized on the 30th of the same month, when, by mistake, his name was entered in the register as Joseph.