likely that they were never begun, and that the idea was abandoned for
lack of funds soon after the nave and choir arcades had been completed.
It is probable that the choir only was roofed in in a temporary manner,
and that the nave and perhaps the transepts as well were not enclosed
until the works were seriously resumed in the next century. The wars
with Scotland caused much trouble within the county of Durham, and
doubtless affected the revenues of the priory, although there is nothing
to show that the monks were disturbed in any way by the invaders; but
twice the Scotch armies appeared upon the Wear, first under the Douglas
just before the treaty of Northampton made in 1328, and again in 1346
when they were defeated at the Battle of Neville’s Cross within sight of
the cathedral.
All works were suspended at Durham as well as at Finchale for the same
reasons, but with the return of peace and under the energetic sway of
Prior John Fossor they were resumed; and no doubt under his direct
[Illustration: CHOIR.]
influence and perhaps with his assistance the completion of the church
at Finchale was undertaken. The account rolls of the priory from 1348
begin to mention large quantities of material bought for the works and
money expended upon labour until 1372 when we may consider the fabric of
the church was finished. Instead of building the aisles as originally
intended, they filled up the moulded arches of the arcades with walling
in which they inserted traceried windows; and they seemed to have roofed
in the buildings at a level but little above the top of the arches
without any clerestory but sufficiently high to clear the great arches
of the crossing. Whether the crossing was vaulted is not quite certain,
but some stones found among the ruins seem to indicate remains of groin
ribs, and it was raised as a low tower, and covered in all probability
with a squat, leaded spire such as those which once stood on the western
towers of the cathedral. The windows which had their heads filled in
with reticulated tracery were, with those of Easington Church and those
inserted in the cathedral by Prior Fossor, among the most important
Decorated work in the county. The east end of the choir had originally
three lancet windows, but either at this time or later a large traceried
window was inserted in their place, the cost of reglazing which appears
in the accounts for 1488. A reredos to the high-altar was erected about
1376 during the period when the great Neville screen was in course of
construction in the cathedral. The exact position it occupied in the
choir is not now evident, as the position of the original double piscina
(see p. 135) and the sedilia left but little room for such an erection,
and it seems to have involved some alteration in the arrangements of the
east end. It is clear from existing remains that it was originally
intended to build a chapel on the east side of the north transept and
Public-domain text, read in full here on John Shaqi.
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