To Galfrid Rufus may be attributed the present great north and south
doorways of the nave, themselves, however, replacing earlier ones. The
sculpturing upon these doorways, and that upon the corbels which once
supported the ribs at the east end of the chapter-house, have apparently
been done by the same hand, and there is otherwise much in common
between the decoration of these doorways and that of the chapter-house
itself.
Skilfully wrought and probably contemporary ironwork covers the south
door, still remaining in a very perfect state.
On the north door there are sufficient indications to show what was the
pattern of the ironwork once there, and, indeed, with care and under a
favourable light, the very elaborate design may be made out. The
grotesque but effective sanctuary knocker of bronze, of the same date as
the door itself, if it does not invite the unfortunate offender to seek
for that protection now, happily, under more humane conditions, not
needed for his safety, will recall to memory how the Church in a ruder
age held out her saving hand, and interposed between the shedder of
blood, sometimes guiltless, and the avenger.
The death of Bishop Carileph took place in 1096, and an interval of
three years elapsed before the election of Bishop Flambard, in 1099, who
is described as great by some, and infamous by other, writers.
Ralph Flambard was William Rufus’s Chancellor, and whether he was
infamous or not, he was, anyhow, a remarkable man. We are told by the
continuator of Symeon, that he carried on the work of the nave up to the
roof--that is, that he completed the nave as far as the vault, including
the side aisles and their vaults, and probably at the same time building
that portion of the western towers which attains an equal elevation with
the walls of the nave.
[Illustration: THE SANCTUARY KNOCKER, DURHAM CATHEDRAL.]
Public-domain text, read in full here on John Shaqi.
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