At Norwich Cathedral the pulpitum still exists as the organ loft (with
a staircase north and south from central passage to loft), between the
twelfth piers of the nave (from the west end), the space between these
and the eleventh is taken up by the Chapel of Our Lady of Pity—the
ante-choir. Between the eleventh piers is Bishop Le Hart’s screen, with
central door and an altar on either side, that on the north dedicated to
St. William, that on the south to St. Mary. Further west, between the
tenth piers, was probably a wooden screen, and either on this or above
Bishop Le Hart’s screen the rood would be placed.
An early screen at St. Albans, built by Abbot Richard, 1097-1119, is
described as a wall of stone finished with a wooden capping, the altar
being raised in the centre towards the nave. The present screen, called
St. Cuthbert’s, cuts off three bays of the nave westwards of the lantern.
In the centre is the altar of the Holy Cross, with a door on each side
opening into the choir eastwards. If the rood-beam and figures were not
supported by the screen, they must have been probably westwards of it
(_eastwards_ in Murray’s _Cathedrals_), and supported by their own screen
perhaps.
The only instance in _Lincolnshire_ of a screen of the kind just
described exists in _Crowland Abbey_. Here the north aisle of the nave
seems to have been used for the parish church (as it is now) from early
times, but the arrangement in the nave is the same as that mentioned
above, though I know of no remains of any eastern screen having been
discovered. The splendid western Norman arch of the central tower is
screened across below by a solid wall, pierced by two side doors, and
on the west side there is a space betwixt them for the altar. Also, on
this side, there is a band of panelling of sunk quatrefoils, extending
right across the screen a little above the doors (a wooden reredos and
panelling probably filling up the plain portions of this wall); while
the eastern face of the screen is ornamented with a panelled band of
quatrefoils alternating with shields, and the rest of the surface is
covered with panelled tracery of Perpendicular date. The doorways on this
side are four-centred, with square-headed mouldings above, the spandrils
being filled in with foliage. This screen most likely was built by
William de _Croyland_, who was master of the works from 1392 to 1417. In
1539, probably the whole arch was built up solid, with a square-headed
two-light window in the middle, so as to allow the nave to be used as the
parish church when the choir and the rest of the abbey was pulled down.
The roof of the nave fell in about 1688, after which the north aisle
would again be used as the parish church. It is interesting to recall
the fact that at Leominster a new north aisle was built to serve as the
parish church, and so also at Blyth.
Public-domain text, read in full here on John Shaqi.
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