From the middle of the transom (if it may be so termed), which runs along from upright to upright, below the open portion of the screen, in a number of Lincolnshire examples, arises a mullion up to the spring of the arch, and there divides into two ogee arches, as at _Theddlethorpe_, _Saltfleetby_ (_All Saints’_), _Mumby_, _Ulceby_ (_St. Nicholas_), and _Marsh Chapel_. In some of these cases the mullion divides up into two pointed arches above the ogees, and at _Middle Rasen_, where there are three ogees and two mullions in each bay, the arches intersect and are carried through the spandrils, which are now open (probably an effect of restoration). In other instances the mullion divides up into two almost semicircular arches, which form the lower and outer portion of a large ogee, as at _Cotes_, _Denton_, _Stixwould_, _Scrivelsby_, _Miningsby_, _Swineshead_, _Scotter_, and _Folkingham_. At _St. Peter’s, Barton_, there are two of these ogees in each bay. At _Swineshead_, _Leverton_, and _Friskney_, these arches beneath the ogees are more pointed in character. At _Miningsby_, on the west front of the mullions, are slender round pillars rising from the transom up to the point of the ogee, and there finishing in tiny crocketed pinnacles, capped by a finial. At _Claypole_ and _Althorpe_ the arrangement is much the same as at _Cotes_, but the mullions are absent; whether this is original or not seems uncertain. There are no traces of them on the transom of either screen. At _Cotes_ and elsewhere the quatrefoil space between the heads of the arches and the upper part of the ogee is filled by a shield. Another form, which seems like a development of the _Claypole_ scheme (although it almost certainly is much earlier in date), has no mullions, and no inner halves of the arches; from their outer halves springs an ogee, making an outline which has been called—not inaptly—the fleur-de-lis form. An excellent example of this is given by the _East Kirkby_ screen.