A few varieties of screens, with or without lofts, may most conveniently
be noticed here before dealing at greater length with the rood-loft
and its accessories. Screens are met with which most certainly have
had rood-lofts, the evidence of which is the existence of remains of
the springers or ribs for the coved support of the loft on one or both
sides of the screen, and the rough framework above, whence the rood-loft
floor has been stripped. But no trace can be found in the church either
of rood-loft staircase, doors thereto, or of corbels to support the
rood-loft. Also the screen may not fit its place. Of course, in some
instances, the rood-loft staircase may have been entirely concealed or
taken away. But it is almost certain in other instances that the screen
is not in its original church. Most probably an example of this is the
_Ewerby_ screen, which is too wide for the chancel, and has evident
traces of having had a rood-loft. This screen has in all likelihood
come from the neighbouring priory of _Haverholme_. Very likely the same
applies to the wooden screen in the north aisle of _Crowland Abbey_;
it does not fit (has been removed eastwards within this century), has
evidence of having had a rood-loft, and there are no signs of anything
of the kind in that part of the church. It may have been the rood-screen
in the nave, or the very one mentioned, of the year 1413, below. And at
_Cadney_, near _Brigg_, is a screen said to have come from _Newstead on
Ancholme_.
In other churches, on the contrary, we may find abundant evidence in
the shape of rood-loft staircase and doors, and corbels, for the former
existence of a rood-loft. The screen, too, may seem quite to fill its
position and not show any trace of having had a rood-loft on it, and this
not merely from having had the coving neatly removed (as may possibly
have been the case in some churches), but by the style altogether of
the upper portion of the screen. There is no coving, and therefore no
pointed arch over the ogee between each upright, forming consequently a
square-headed aperture instead of a pointed one.
[Illustration: ROOD-SCREEN, ST. MARY’S CHURCH, WINTHORPE.]
Public-domain text, read in full here on John Shaqi.
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