The outline of the Round Church was never probably a perfect circle. Excavations have been made, and some foundations have been discovered underground on the east side of the church, which seem to shew that an apse existed nearly fifty feet long. This, of course, contained the altar. Even so, however, the church must often have been inconveniently crowded, and the spaciousness of the later addition shows how much this inconvenience had been felt. The middle opening between the two churches is probably the original arch by which the apse was entered, since it does not, like the two side arches, break into the line of arcading. In passing from the earlier to the later church, we pass from Transitional Norman to a pure example of Early English style, the details of which closely remind us of Salisbury Cathedral. That cathedral, which was not finished till 1258, was begun in 1220, and the foundations of the Temple choir cannot have been laid very long after this. Matthew Paris (died 1259) tells us that "the noble church of the New Temple, of a construction worthy to be looked at," was consecrated on Ascension Day, 1240, in the presence of Henry III. and many great men of the realm. As the king looked round the new church during the consecration ceremony, it is quite conceivable that he turned over in his mind the idea of rebuilding the east end of Westminster Abbey in this same style--a design which he proceeded to put into execution five years later. The combination of the two Temple Churches into one harmonious whole is a stroke of genius on the part of the unknown architect. It might have been a failure had there been any violence of contrast. As it is, we feel that we are only moving one step forward in the evolution of church-building. The general effect of the columns and arches is much the same throughout, and the view from either church into the other pleases the eye.