London (England) -- Antiquities; London (England) -- History
Goldsmiths' Hall, built in 1835, is perhaps the most imposing of all the
homes of the companies, and is rich in plate, sculptures, pictures, and
other works of art. A magnificent marble staircase leads from the ground
floor, monolith pillars support the roof, and a bust of the founder of
the company, Edward III., faces the entrance. Two fine sculptures by
Storey, the Libyan Sibyl and Cleopatra, adorn the vestibule. The oak
panelling of the court room was taken from the old hall. This room
contains a painting of St. Dunstan, the patron saint of the company,
some portraits of worthies, a silver vase and shield by Vechte, and a
small Roman altar, discovered when the foundations of the hall were
being laid. This altar is mentioned in the Ingoldsby Legend of the "Lay
of St. Dunstan." The plate of this company is remarkably fine.
[Illustration: MERCHANT TAYLORS' COMPANY--THE KITCHEN CRYPT.]
In Threadneedle Street is the hall of the Merchant Taylors, the name of
that thoroughfare being doubtless derived from their trade. This hall is
one of the most interesting of all the palaces of the companies,
inasmuch as the Great Fire did not completely destroy the old building,
and was stayed on the premises; hence the present hall is a restoration
of the ancient building, and not an entirely modern erection. There is
an ancient vaulted crypt, the use of which is not quite clear. It may
have been a passage leading from the street to the chapel. In the
fourteenth century Edmund Crepin granted the hall to John de Gakeslee,
the King's pavilion maker, who purchased it on behalf of the company.
The property was enlarged by the gift of the Oteswich family, who gave
to the company the advowson of the church of St. Martin Outwich (or
Oteswich), and certain shops for the benefit of the poor brethren and
sisters. The company built their almshouses on the west end of the
parish church, and attached to them a new hall, the interior of which
was adorned with costly tapestry representing the history of St. John
the Baptist, and a silver image of the saint adorned the screen.
Heraldic arms appeared in the windows, the floor was strewn with rushes,
and silk banners hung from the ceiling. A garden with alleys and a
terrace was at the rear of the hall, and in it stood the treasury, in
which plate and other valuables were stored; and there was a building
called the King's Chamber set apart and well furnished for the reception
of Royal guests, who frequently honoured the company with their
presence. This chamber, called the banqueting hall, was rebuilt in 1593,
and a few years later the space above the ceiling was deemed the most
convenient place for the storage of gunpowder. The great hall was
restored in 1671, and is "old-fashioned, ample, and sumptuous," having
all the characteristics of the fifteenth-century edifice. It is
impossible to describe all the treasures of the company, but we must
mention the two hearse-cloths of Italian fabric of early
Public-domain text, read in full here on John Shaqi.
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