London (England) -- Antiquities; London (England) -- History
Further east, on Ludgate Hill, La Belle Sauvage Yard, where Messrs.
Cassell & Co. carry on their important business, marks the site of an
historic house, and perpetuates an error of nomenclature. Its original
title, as proved by a document of the year 1452, was "Savage's" Inn,
otherwise called the "Bell on the Hoop," but in the seventeenth century
a trade token was issued from here, having on it an Indian woman
holding a bow and arrow, and in 1676 "Bell Sauvage" Inn, on Ludgate
Hill, consisting of about forty rooms, with good cellarage and stabling
for about one hundred horses, was to be let. The mistake is repeated
in _The Spectator_, No. 28, where we are told of a beautiful girl who
was found in the wilderness, and whose fame was perpetuated in a French
romance. As we learn from Howe, in his continuation of _Stow's Annals_,
on a seat outside this inn Sir Thomas Wyat rested, after failing in an
attempt to enter the city during his ill-advised rebellion in the reign
of Mary Tudor. From Lambarde we gather that this was one of the houses
where plays were performed before the time of Shakespeare. Writing in
1576, he says, "Those who go to Paris Garden, the Bell Savage, or the
Theatre to behold bear-baiting, interludes, or fence play, must not
account of any pleasant spectacle unless first they pay one pennie
at the gate, another at the entrie of the scaffold, and a third for
quiet standing." Here, as at the "Cross Keys," Gracechurch Street,
Bankes exhibited his horse, and here, in 1683, "a very strange beast
called a Rhynoceros--the first that ever was in England," could be seen
daily. Stow affirms the inn to have been given to the Cutlers' Company
by Isabella Savage; but, in fact, the donor was John Craythorne, who
conveyed the reversion of it to them in 1568. The sculptured elephant
and castle representing their crest is still on a wall in La Belle
Sauvage Yard. The inn, which has left its mark in the annals of
coaching, was taken down in 1873.
Public-domain text, read in full here on John Shaqi.
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