"Naked I stood upon the raked arena Beneath the pennants of Vespasian, While seried thousands gazed--strangers from Caucasus, Men of the Grecian Isles, and Barbary princes, To see me grapple with the counterpart Of that I had been--the raptorial jaws, The arms that wont to crush with strength alone, The eyes that glared vindictive.--Fallen there, Vast wings upheaved me; from the Alpine peaks Whose avalanches swirl the valley mists And whelm the helpless cottage, to the crown Of Chimborazo, on whose changeless jewels The torrid rays recoil, with ne'er a cloud To swathe their blistered steps, I rested not, But preyed on all that ventured from the earth, An outlaw of the heavens.--But evermore Must death release me to the jungle shades; And there like Samson's grew my locks again In the old walks and ways, till scapeless fate Won me as ever to the haunts of men, Luring my lives with battle and with love." . . . I quote less than a quarter of the poem, of which the rest is just as good, and I ask: Who of us all handles his English vocabulary better than Mr. Blood?[7] His proclamations of the mystic insight have a similar verbal power:-- "There is an invariable and reliable condition (or uncondition) ensuing about the instant of recall from anaesthetic stupor to 'coming to,' in which the genius of being is revealed. . . . No words may express the imposing certainty of the patient that he is realizing the primordial Adamic surprise of Life. "Repetition of the experience finds it ever the same, and as if it could not possibly be otherwise. The subject resumes his normal consciousness only to partially and fitfully remember its occurrence, and to try to formulate its baffling import,--with but this consolatory afterthought: that he has known the oldest truth, and that he has done with human theories as to the origin, meaning, or destiny of the race. He is beyond instruction in 'spiritual things.' . . .