Mason, William, 1829-1908; Musicians -- United States -- Biography
Her love of flowers amounted almost to a passion, and no expenditure of
time or strength given to garden work was grudged, even when the effort
of very early rising was involved. And when did garden ever better repay
the personal love and care of the gardener? Where were ever seen such
radiant, waving poppies, such hundred-hued pansies, such stately and
brilliant hollyhocks, and such fragrant sweet peas? And upon entering
the parlor, it seemed as if one had hardly left the garden, so many and
so beautiful were the masses of flowers.
As I have said, Mrs. Thaxter was very fond of music, and every morning
welcomed those of her friends who shared this taste to hear any artist
who might be on the island.
It was my pleasure, being so much at Appledore, to play a great deal in
these informal ways. The doors wide open to the sun and salt breezes,
the people sitting in the room and grouped on the piazza, shaded by its
lovely vines, the beautiful vistas of gaily colored flowers, sea and sky
beyond, made a charming and ever-to-be-remembered scene.
Chopin and Schumann were the favorite composers, their compositions
being constantly requested. After a while I enlarged the repertoire by
introducing several of Edward MacDowell's smaller works. These found
immediate favor. Some half-dozen years ago, having become acquainted
with and thoroughly enthusiastic over the "Sonata Tragica" of this
composer, I began to play it early in the summer on arriving at the
Shoals. At first the audience was somewhat reserved in the expression of
an opinion, but after a few hearings the composition found friends who
really appreciated and enjoyed it. Being curious to ascertain what
result a closer acquaintanceship with the work would bring about, and
wishing to do some missionary work, I formed the resolution of playing
it once a day during the season, and announced my intention to the
audience. With but the exception of a few days, the scheme was carried
out, and with gratifying success, for the "Sonata Tragica" became
eventually the favorite of the majority, and it was constantly called
for.
One or two ladies who found it tedious at the outset became thorough
converts, and finally experienced genuine musical enjoyment from it. On
the publication of the "Sonata Eroica" a few years later a similar
result was reached, but not in the same degree as in the case of the
"Tragica."
This incident is related to illustrate the remarkable effect of musical
surroundings and the great advantage of living in a musical atmosphere.
Here were people of intelligence and culture who, under adverse
circumstances, would not have appreciated the beauty of these
intellectual works, but who after closer association were led to
perceive their beauty and who learned to love them.
Public-domain text, read in full here on John Shaqi.
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