My sister's girlish letters are evidence of the enthusiasm of the family for my father's companionship, and of our stanch hatred for the Consulate because it took him away from us so much. He read aloud, as he always had done, in the easiest, clearest, most genial way, as if he had been born only to let his voice enunciate an endless procession of words. He read "The Lady of the Lake" aloud about this time, and Una wrote expressing our delight in his personality over and above that in his usefulness: "Papa has gone to dine in Liverpool, so we shall not hear 'Don Quixote' this evening, or have papa either." Little references to him show how he was always weaving golden threads into the woof of daily monotony. Julian, seven years old, writes to his grandfather, "Papa has taught Una and me to make paper boats, and the bureau in my room is covered with paper steamers and boats." I can see him folding them now, as if it were yesterday, and how intricate the newspapers became which he made into hulls, decks, and sails. At one time Una bursts out, in recognition of the unbroken peace and good will in the home, "It will certainly be my own fault if I am not pretty good when I grow up, for I have had both example and precept." The nurse to whom I have just referred has said that when Julian was about four, sometimes he would annoy her while she was sewing; and if his father was in the room, she would tell Julian to go to him and ask him to read about Robbie, who was Robinson Crusoe. He would sit quietly all the time his father read to him, no matter for how long. But her master finally told Dora not to send Julian to him in this way to hear "Robinson Crusoe," because he was "tired of reading it to him." The nurse was a bit of a genius herself, in her way, and not to be easily suppressed, and when her charge became fidgety, and she was in a hurry, she made one more experiment with Robbie. Her master turned round in his chair, and for the first time in four years she saw an angry look on his face, and he commanded her "never to do it again." At three years of age Julian played pranks upon his father without trepidation. There was a "boudoir" in the house which had a large, pleasant window, and was therefore thought to be agreeable enough to be used as a prison-house for Una and Julian when they were naughty. Julian conveyed his father into the boudoir, and shut the door on him adroitly. It had no handle on the inner side, purposely, and the astonished parent was caged. "You cannot come out," said Julian, "until you have promised to be a good boy." Through the persistent dignity with which Hawthorne behaved, and with which he was always treated by the household, Julian had felt the down of playful love. Here are letters written to me while I was in Portugal with my mother, in 1856:--