Nothing but music can ever equal or surpass architecture in variety of utterance. Music is poetry to the ear, architecture to the eye, and poetry is music and architecture to the soul, for it can reproduce both. Music, however, seems to be freer from all shackles than any other art; and I remember that in one of my essays for Margaret Fuller, I made it out to my own satisfaction to be the apex of expression. The old Glasgow verger of whom I wrote you had not got so far as to see that it needed the "Kist of Whistles," as he called the organ, to make his beloved Cathedral soar and glow with life and praise to its utmost capacity. But I cannot say that it does not sing, even without a sound, in its immortal curves, as Ruskin calls those curves that return in no conceivable time or space. Cathedrals sing, and they also pray, with pointed arches for folded hands. Julian liked these ruins better than any he had seen, he said; and he climbed up on the dismantled turret of Leicester's buildings, and settled himself among the ivy like some rare bird with wonderful eyes. His hair had grown very long, and clustered round his head in hyacinthine fashion, and I think my lord would have been glad to call him his princely boy. [Such things he never allowed himself to say.] All the princeliness that lies in clustering curls Julian has lost to-day, for a hair-dresser has cropped him like a Puritan. As for myself, fine weather, flower-filled lanes, sturdy walks, and the zest of environs that aroused the rest of the family through association as well as loveliness, seemed to awaken in my mind a vivid era that was exciting if laborious. I had night-vigils which were delightfully entertained by a faculty for hearing quite splendid music,--music that my imagination composed with a full orchestra of admirable brilliancy; and I was also able to see in perfect distinctness a splendid bazaar, filled with any quantity of toys, which I could summon at will. But this pastime required a great deal of will-power, a peculiar subtlety of condition, and could only be kept up for a few moments at a time; and in the course of several months the charming capacity was modified to that of being able to evoke most clearly scenes where imaginary characters, more real than actual companions, leaped into being, and talked and moved to any extent. I suppose numbers of people have this faculty, and it is a sovereign protection against ennui; or would be, if remedies could always be relied upon. I mention these matters to prove that I moderately possessed artistic perception. I can see, nevertheless, quite well, that I must have been a very stupid child most of the time, and that the befogged state of my mind was certainly a pity and perhaps a shame. Yet there was a sort of advantage in it: fogs choose with much good sense what they will emphasize; and the intellect bereft of fussy clearness may have a startling grasp that reminds one of occult methods.