Hawthorne, Nathaniel, 1804-1864 -- Family; Novelists, American -- 19th century -- Biography
"I am just on the point of declaring that I hate transcendentalism,
because it is full of immoderate dicta which would disorganize
society, and should never be uttered, in my opinion, except behind the
veil, among priests. As to displaying before the great, innocent eyes
of a girl like Una all the horror of a slave-auction--a convent is
better than such untimely revelations. Now, you must not think I am a
Catholic. I know the Lord withholds the pure from seeing what they
should not--blessed be the Lord!--but I will not be the one to put
what should not be seen before the eyes of the pure."
My father looked in good spirits as we moved along. When he trafficked
with an Italian fruit-vender, and put a few big hot chestnuts into his
pocket, with a smile for me, I (who found his smile the greatest joy
in the world) was persuaded that really fine things were being done.
The slender copper piece which was all-sufficient for the transaction
not only thrilled the huckster with delight, but became precious to me
as my father's supple, broad fingers held it, dark, thin, small, in a
respectful manner. He caressed it for a moment with his large
thumb,--he who was liberal as nature in June,--and when the
fruit-vender was wrought up to the proper point of ecstasy he was
allowed to receive the money, which he did with a smile of Italian
gracefulness and sparkle, while my father looked conscious of the
mirthfulness of the situation with as lofty a manner as you please. As
for the peasant women we met, under their little light-stands of
head-drapery, they were easily comprehensible, and expressed without a
shadow of reserve their vanity and tiger blood by an openly proud
smile and a swing of the brilliantly striped skirt. The handsomest men
and women possible, elaborately dressed, shone beside tiers of the
sweetest bunches of pale violets, or a solitary boy, so beautiful that
his human splendor scintillated, small as he was, sat in the pose and
apparel that the world knows through pictures, and which pigment can
never well render any more than it can catch the power of a sunset or
an American autumn. The marble-shops were very pleasant places. A
whirring sound lulled the senses into dreamy receptiveness, as the
stone wheel heavily turned with soft swiftness, giving the impression
that here hard matter was controlled to a nicety by airy forces; and a
fragrance floated from the wet marble lather, while the polishing of
our newly picked up mementos from the ruins went on, which was as
subtle as that of flowers. A man or two, hoary with marble-dust and
ennobled by the "bloom" of it, stood tall and sad about the wheel, and
we handed to these refined creatures our treasures of giallo-antico
and porphyry and other marbles picked up "for remembrance" (and no
doubt once pressed by a Caesar's foot or met by a Caesar's glance), in
order to observe the fresh color leap to the surface,--yellow, red,
black, or green.
Public-domain text, read in full here on John Shaqi.
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