Hawthorne, Nathaniel, 1804-1864 -- Family; Novelists, American -- 19th century -- Biography
In connection with the comet my elders spoke of war and misery, of
which it was accused of being the messenger. My child's heart already
knew the iron truth, and was not astonished at the intrusion of such a
thought, that beauty and peace must always entertain the herald of the
other country--the dark one. There was a sadness about Italy, although
it lay under "the smile of God," as my father calls its sunshine. He
and my mother often mention this shadow, as before remarked, in their
records. At times the cause seems to them to come from the "incubus"
of the Catholic religion, although they both believed it capable of
being wholly perfect. Glorious scenes were constantly soothing this
sense of human sorrow, scenes such as cannot be found in regions
outside the Church. In the Basilica of San Spirito my mother came
upon several visible lovelinesses of elaborate devotion, which with
her limpid purity of justice she enthusiastically notes down. She
entered the church one day for coolness and rest, and, recognizing its
"noble" beauties, she described, in her journal already printed, "a
function going on before one of the side-chapels--the burial service
of a child. The coffin was covered with a white satin pall,
embroidered with purple and gold. The officiating priests were in
robes of white satin and gold, and the altar was alight with candles,
besides those borne by young boys in white tunics. This scene in the
aisle was a splendid picture in the soft gloom of the church; and when
the organ burst forth in a kind of tender rapture, rolling pearly
waves of harmony along the large spaces, and filling the dome with the
foam and spray of interlacing measures, it seemed as if angels were
welcoming the young child to heaven." The pettiness of a brief burial
service in a private parlor or in a meagre meeting-house would not
have touched her heart so profoundly, because it would not have
recalled heaven so impressively in all its grandeur and tenderness.
She evidently perceived here the sweet and even cheering veracity of a
devotion that is glad to remember all the possibilities of reverent
observance, each motion and aspect of which have a reference to God
and to religious history. Again San Spirito gave her an insight into
the dignity of painstaking worship. "While we were walking about, the
priests and monks of the Order of St. Augustine, who have a convent
attached, came in a procession from the sacristy, and knelt down in
their sweeping black robes upon the marble pavement, in two lines, one
behind the other, and chanted aloud their Ave Maria. It was a
wonderful picture." She still clung to the Puritanical idea that in
religion itself, "What looks so wondrous, wondrous fair, His
providence has taught us to fear. . . . Angels only are fit to live as
monks pretend to live." But she contradicts this theory. No one was
more adapted than she to perceive the godliness of the monastic
sacrifice, when she realized the object of it. Among her dearest
Public-domain text, read in full here on John Shaqi.
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