Since he did not write anything wholly for the pleasure of creative writing, but had moral motives and perfect artistic harmony to consider, he could not have indulged in the spontaneous, passionate effusions which are the substance of so much other fiction. He was obliged to train his mind to reflection and judgment, and therefore he never tasted luxury of any kind. The mere enjoyment of historical settings in all their charm and richness, rehabilitated for their own sake or for worldly gain; and that of caricatures of the members of the human family, because they are so often so desperately funny; the gloating over realistic pictures of life as it is found, because life as it is found is a more absorbing study than that of geology or chemistry; the tasting of redundant scenes of love and intrigue, which flatter the reader like experiences of his own,--these excesses he was not willing to admit to his art, a magic that served his literary palate with still finer food. He wrote with temperateness, and in pitying love of human nature, in the instinctive hope of helping it to know and redeem itself. His quality was philosophy, his style forgiveness. And for this temperate and logical and laconic work--giving nothing to the world for its mere enjoyment, but going beyond all that to ennoble each reader by his perfect renunciation of artistic claptrap and artistic license--for this aim he needed a mental method that could entirely command itself, and, when necessary, weigh and gauge with the laborious fidelity of a coal-surveyor, before the account was rendered with pen and ink upon paper. When he brought within his art the personality of a human devil, he honored its humanity, and proved that the real devil is quite another thing. In fact, perhaps he would not have permitted the above epithet. In one of her letters my mother remarks, "I think no sort of man can be called a devil, unless it be a slanderer." Though he dealt with romance he never gave the advantage of an inch to the wiles of bizarre witchery, the grotesque masks of wanton caprice in imagination--those elements which exhibit the intoxication of talent. His terrors were those of our own hearts; his playfulness had the merit of the sunlight. In short, he was artistically con-. secrated, guiding the forces he used with the reins of truth; and he could do this unbrokenly because he governed his character by Christian fellowship. If he shrank from unnecessary interruptions, which jarred the harmony of his artistic life, he nevertheless met courteously any that were to him inevitable. Could he have written with the heart's blood of old Hepzibah if he had failed to put his own shoulder to the domestic wheel, on the plea that it was too deep in the slough of disaster to command his assistance? He did not dread besmirching his hands with any affairs sent him by God.