MY DEAREST MOTHER,--To-day, Mr. Hawthorne and Mr. Melville have gone to dine at Pittsfield. Mr. Tappan took them in his carriage. I went to Highwood after breakfast, to ask for the carriage and horses, as you know Mr. Tappan has put them at our disposition, if we will only drive. I found James sitting in state at the gate, in the wagon, and concluded that there was no hope. But behold, Mr. Tappan was just about starting for Pittsfield, himself; and with the most beautiful cordiality of hospitality he said he would come over to take the gentlemen. This would have been no particular courtesy in some persons, but for this shy dear, who particularly did not wish, for some reason, to be introduced to Mr. Melville, it was very pretty. I have no doubt he will be repaid by finding Mr. Melville a very different man from what he imagines, and very agreeable and entertaining. We find him so. A man with a true, warm heart, and a soul and an intellect,--with life to his finger-tips; earnest, sincere, and reverent; very tender and modest. And I am not sure that he is not a very great man; but I have not quite decided upon my own opinion. I should say, I am not quite sure that _I_ do not think him a very great man; for my opinion is, of course, as far as possible from settling the matter. He has very keen perceptive power; but what astonishes me is, that his eyes are not large and deep. He seems to see everything very accurately; and how he can do so with his small eyes, I cannot tell. They are not keen eyes, either, but quite undistinguished in any way. His nose is straight and rather handsome, his mouth expressive of sensibility and emotion. He is tall and erect, with an air free, brave, and manly. When conversing, he is full of gesture and force, and loses himself in his subject. There is no grace nor polish. Once in a while, his animation gives place to a singularly quiet expression, out of these eyes to which I have objected; an indrawn, dim look, but which at the same time makes you feel that he is at that instant taking deepest note of what is before him. It is a strange, lazy glance, but with a power in it quite unique. It does not seem to penetrate through you, but to take you into himself. I saw him look at Una so, yesterday, several times. He says it is Mr. Mathews who is writing in "The Literary World" the visit to Berkshire. Mr. Mathews calls Mr. Hawthorne "Mr. Noble Melancholy," in the next number of the paper. You know, what you read was the introduction only. It is singular how many people insist that Mr. Hawthorne is gloomy, since he is not. He is pensive, perhaps, as all contemplative persons must be; especially when, as in him, "a great heart is the household fire of a grand intellect" (to quote his own words), because he sees and sympathizes with all human suffering. He has always seemed to me, in his remote moods, like a stray Seraph, who had experienced in his own life no evil, but by the intention of a divine intellect, saw and