Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
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Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
“Are you mademoiselle’s mother?” he asked, looking up.
“No,” she said, “but it is just the same as though I were.”
“Well, yes, you are right. Read it quickly,” he continued, “and then
sign or leave it alone, but be quick.”
I felt the color coming into my face, for this man was odious. Duquesnel
whispered to me:
“There’s no ceremony about him, but he’s all right, don’t take offense.”
I signed my engagement and handed it to his ugly partner.
“You know,” he remarked, “M. Duquesnel is responsible for you. I should
not upon any account have engaged you.”
“And if you had been alone, monsieur,” I answered, “I should not have
signed; so we are quits.”
I went away at once and hurried to my mother’s to tell her, for I knew
this would be a great joy for her. Then, that very day, I set off with
my _petite dame_ to buy everything necessary for furnishing my
dressing-room. The following day I went to the convent in the Rue Notre
Dame des Champs to see my dear governess, Mlle. De Brabender. She had
been ill, with acute rheumatism in all her limbs, for the last thirteen
months. She had suffered so much that she looked like a different
person. She was lying in her little white bed, a little white cap
covering her hair, her big nose was drawn with pain, her washed-out eyes
seemed to have no color in them. Her formidable mustache alone bristled
up with constant spasms of pain. Besides all this she was so strangely
altered that I wondered what had caused the change. I went nearer and,
bending down, kissed her gently. I then gazed at her so inquisitively
that she understood instinctively. With her eyes she signed to me to
look on the table near her, and there in a glass I saw all my dear old
friend’s teeth. I put the three roses I had brought her in the glass
and, kissing her again, I asked her forgiveness for my impertinent
curiosity. I left the convent with a very heavy heart, for the Mother
Superior took me in the garden and told me that my beloved Mlle. De
Brabender could not live much longer. I therefore went every day for a
time to see my gentle old governess, but as soon as the rehearsals
commenced at the Odéon my visits had to be less frequent.
One morning about seven o’clock, a message came from the convent to
fetch me in great haste, and I was present at the dear woman’s death
agony. Her face lighted up at the supreme moment with such a holy look
that I suddenly longed to die. I kissed her hands which were holding the
crucifix: they had already turned cold. I asked to be allowed to be
there when she was placed in her coffin.
Public-domain text, read in full here on John Shaqi.
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