Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I was called on to the stage just at this moment, and on returning a few
minutes later I found the young poet talking in a low voice to the
beautiful tragedian. I coughed, and Agar, who had taken my armchair,
wanted to give it back. On my refusing it she pulled me down on her lap.
The young man drew up his chair and we chatted away together, our three
heads almost touching. It was decided that after reading the piece I
should show it to Duquesnel, who alone was capable of judging poetry,
and that we should then get permission from both managers to play it for
the benefit of M. X—— after the first performance. The young man was
delighted, and his pale face lighted up with a grateful smile as he
shook hands excitedly. Agar walked away with him as far as the little
landing which projected over the stage. I watched them as they went, the
magnificent, statuelike woman and the slender outline of the young
writer. Agar was perhaps thirty-five at that time. She was certainly
very beautiful, but to me there was no charm about her, and I could not
understand why this poetical Bonaparte was in love with this matronly
woman. It was as clear as daylight that he was, and she, too, appeared
to be, in love. This interested me infinitely. I watched them clasp each
other’s hands, and then, with an abrupt and almost awkward movement, the
young poet bent over the beautiful hand he was holding and kissed it
fervently. Agar came back to me with a faint color in her cheeks. This
was rare with her, for she had a marblelike complexion. “Here is the
manuscript,” she said, giving me a little roll of paper.
The rehearsal was over and I wished Agar good-by; and, on my way home,
read the piece while driving. I was so delighted with it that I drove
straight back to the theater to give it to Duquesnel at once. I met him
coming downstairs.
“Do come back again, please,” I exclaimed.
“Good heavens, my dear girl, what is the matter?” he asked. “You look as
though you have won a big lottery prize!”
“Well, it is something like that,” I said, and entering his office I
produced the manuscript.
“Read this, please,” I continued.
“I’ll take it with me,” he said.
“Oh, no, read it here at once!” I insisted. “Shall I read it to you?”
“No, no,” he replied, “your voice is treacherous. It makes charming
poetry of the worst lines possible. Well, let me have it,” he continued,
sitting down in his armchair. He began to read, while I looked at the
newspapers.
“It’s delicious,” he soon exclaimed. “It’s a perfect masterpiece!”
I sprang to my feet in my joy.
“And you will get Chilly to accept it?”
“Oh, yes, you can make your mind easy! But when do you want to play it?”
“Well, the author seems to be in a great hurry,” I said, “and Agar,
too——”
“And you as well,” he put in, laughing, “for this is a rôle that just
suits your fancy.”
Public-domain text, read in full here on John Shaqi.
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