Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I stroked the furry lining of the coveted garment, and the young
prefect, still choking with laughter, began to empty the pockets of his
overcoat. He pulled out a magnificent white silk muffler from the
largest pocket.
“Will you allow me to keep my muffler?” he asked.
I put on a resigned expression and nodded my consent. Our host then
rang, and when the usher appeared he handed him the overcoat, and said
in a solemn voice, in spite of the laughter in his eyes:
“Will you carry this to the carriage for these ladies?”
I thanked him again and went away feeling very happy.
Twelve days later I returned, taking with me a letter covered with the
signatures of the householders and tradesmen living near the Odéon.
On entering the prefect’s room I was petrified to see him, instead of
advancing to meet me, rush toward a cupboard, open the door, and fling
something hastily into it. After this he leaned back against the door as
though to prevent my opening it.
“Excuse me,” he said, in a witty, mocking tone, “but I took a violent
cold after your first visit. I have just put my overcoat—oh, only an
ugly, old overcoat, not a warm one,” he added quickly, “but still an
overcoat, inside there, and there it is now, and I will take the key out
of the lock.”
He put the key carefully into his pocket, and then came forward and
found me a chair. Our conversation soon took a more serious turn,
though, for the news was very bad. For the last twelve days the
_ambulances_ had been crowded with the wounded. Everything was in a bad
way, home politics as well as foreign politics. The Germans were
advancing on Paris. The Army of the Loire was being formed. Gambetta,
Chanzy, Bourbaki, and Trochn were organizing a desperate defense. We
talked for some time about all these sad things, and I told him about
the painful impression I had had on my last visit to the Tuileries, of
my remembrance of everyone, so brilliant, so considerate, and so happy
formerly, and so deeply to be pitied at present. We were silent for a
moment, and then I shook hands with him, told him I had received all he
had sent, and returned to my _ambulance_.
[Illustration: AN EARLY PORTRAIT OF SARAH BERNHARDT.]
Public-domain text, read in full here on John Shaqi.
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