Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I cannot recall those terrible days without the deepest emotion. It was
no longer the country in danger that kept my nerves strung up, but the
sufferings of all her children. There were all those who were away
fighting, those who were brought in to us wounded or dying, the noble
women of the people, who stood for hours and hours in the _queue_ to get
the necessary dole of bread, meat, and milk for their poor little ones
at home. Ah, those poor women! I could see them from the theater
windows, pressing up close to each other, blue with cold, and stamping
their feet on the ground to keep them from freezing, for that winter was
the most cruel one we had had for twenty years. Frequently one of these
poor, silent heroines was brought in to me, either in a swoon from
fatigue, or struck down suddenly with congestion caused by cold. On the
20th of December, three of these unfortunate women were brought into the
_ambulance_. One of them had her feet frozen, and she lost the big toe
of her right foot. The second was an enormously stout woman, who was
suckling her child, and her poor breasts were harder than wood. She
simply howled with pain. The youngest of the three was a girl of sixteen
to eighteen years of age. She died of cold, on the trestle on which I
had had her placed to send her home. On the 24th of December, there were
fifteen degrees of cold. I often sent William, our attendant, out with a
little brandy to warm the poor women. Oh, the suffering they must have
endured, those heartbroken mothers, those sisters, and _fiancées_, in
their terrible dread! How excusable their rebellion seems during the
Commune, and even their bloodthirsty madness!
My _ambulance_ was full. I had sixty beds and was obliged to improvise
ten more. The soldiers were installed in the _artistes’ foyer_ and in
the general _foyer_, and the officers in a room which had formerly been
used for refreshments.
One day a young Breton named Marie le Gallec was brought in. He had been
struck by a bullet in the chest and another in the wrist. Dr. Duchesne
bound up his chest firmly and splintered his wrist. He then said to me
very simply:
“Let him have everything he likes, he is dying.”
I bent over his bed and said to him:
“Tell me anything that would give you pleasure, Marie le Gallec?”
“Soup,” he answered promptly, in the most comic way.
Mme. Guérard hurried away to the kitchen and soon returned with a bowl
of broth and pieces of toast. I placed the bowl on the little wooden
shelf with four short legs which was so convenient for the meals of our
poor sufferers. The wounded man looked up at me and said:
Public-domain text, read in full here on John Shaqi.
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