Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I went next to Marshal Canrobert’s, and there I had a great surprise.
Just as I was getting out of the carriage, I nearly fell into the arms
of the marshal, who was coming out of his house.
“What is it? What’s the matter? Is it postponed?” he asked laughing.
I did not understand and gazed at him rather bewildered. “Well, have you
forgotten that you invited me to luncheon?” he asked.
I was quite confused, for I had entirely forgotten it. “Well, all the
better!” I said. “I very much wanted to talk to you. Come, I am going to
take you with me now.”
I then described my visit to Victor Hugo, and repeated all the fine
things he had said to me, forgetting that I was constantly saying things
that were contrary to his ideas. This admirable man could admire,
though, and if he could not change his opinions, he approved the great
ideas which were to bring about great changes.
One day, when he and Busnach were both at my house, there had been a
political discussion which became rather violent. I was afraid for a
moment that things might take a wrong turn, as Busnach was the most
witty, and at the same time the rudest man in France.... It is only fair
to say, though, that if Marshal Canrobert was a polite man and very well
bred, he was not at all behind William Busnach in wit. The latter was
worked up by the teasing speeches of the marshal.
“I challenge you, monsieur,” he exclaimed, “to write about the odious
Utopias that you have just been supporting!” “Oh, M. Busnach,” replied
Canrobert, coldly, “we do not use the same steel for writing history!
You use a pen and I a sword.”
The luncheon that I had so completely forgotten was nevertheless a
luncheon arranged several days previously. On reaching home we found
there Paul de Rémusat, charming Mlle. Hocquigny, and M. De Montbel, a
young attaché of the Embassy. I explained my lateness as well as I could
and the morning finished in the most delicious harmony of ideas.
I have never felt more than I did that day the infinite joy of
listening.
During a silence, Mlle. Hocquigny turned to the marshal and said: “Are
you not of the opinion that our young friend ought to enter the Comédie
Française?”
“Ah, no, no!” I exclaimed, “I am so happy at the Odéon. I began at the
Comédie and the short time I stayed there I was so unhappy.”
“You will be obliged to go back there, my dear friend—obliged! Believe
me, it will be better early than late.”
“Well, do not spoil to-day’s pleasure for me, for I have never been
happier!”
One morning after this my maid brought me a letter. The large round
stamp, on which the words “Comédie Française” are to be read, was on the
corner of the envelope.
Public-domain text, read in full here on John Shaqi.
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