Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I left the Odéon with very great regret, for I adored and still adore
that theater. It always seems as though in itself it were a little
provincial town. Its hospitable arcades, under which so many poor old
_savants_ take the air and are sheltered at the same time from the sun;
the large flags all round, between the crevices of which microscopic
yellow grass grows; its tall pillars, blackened by time, by hands, and
by the dirt from the road; the uninterrupted noise going on all around,
the departure of the omnibuses, like the departure of the old coaches;
the fraternity of the people who meet there, everything, even to the
very railings of the Luxembourg, give it a quite special aspect in the
midst of Paris. Then, too, there is a kind of odor of the colleges
there, the very walls are impregnated with youthful hopes. People are
not always talking there of yesterday as they do in the other theaters.
The young _artistes_ who come there talk of to-morrow.
In short, my mind never goes back to those few years of my life without
a childish emotion, without thinking of laughter and without a dilation
of the nostrils, inhaling again the odor of little ordinary bouquets,
clumsily tied up, bouquets which had all the freshness of flowers that
grow in the open air, flowers that were the offerings of the hearts of
twenty summers, little bouquets paid for out of the purses of students.
I would not take anything away with me from the Odéon. I left the
furniture of my dressing-room to a young _artiste_. I left my costumes,
all the little toilette knickknacks. I divided them and gave them away.
I felt that my life of hopes and dreams was to cease there. I felt that
the ground was now ready for the fruition of all the dreams, that life
was about to commence, and I divined rightly.
My first experience at the Comédie Française had not been a success. I
knew that I was going into the lion’s den. I counted few friends in this
house, except Laroche, Coquelin, and Mounet-Sully; the two first my
friends of the _Conservatoire_, and the latter of the Odéon. Among the
women Marie Lloyd and Sophie Croizette, both friends of my childhood,
the disagreeable Jouassain, who was nice only to me, and the adorable
Mlle. Brohan, whose goodness delighted the soul, whose wit charmed the
mind, and whose indifference rebuffed devotion.
Public-domain text, read in full here on John Shaqi.
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