“Because the distribution of parts concerns the management and not the _artistes_.” He didn’t purr any more, he only growled. As for me, I was in a fury, and a few minutes later, I went out of the room, banging the door after me. All this preyed on my mind, though, and I used to cry all night. I then decided to take a studio and devote myself to sculpture. As I was not able to use my intelligence and my energy in creating rôles at the theater, as I wished, I gave myself up to another art, and began working at sculpture with frantic enthusiasm. I soon made great progress, and started on an enormous composition: “After the Storm.” I was indifferent now to the theater. Every morning at eight my horse was brought round and I went for a ride, and at ten I was back in my studio, 11 Boulevard de Clichy. I was very delicate, and my health suffered from the double effort I was making. I used to vomit blood in the most alarming way, and for hours together I was unconscious. I never went to the Comédie, except when obliged to by my duties there. My friends were seriously concerned about me, and Perrin was told what was going on. Finally, urged on by the Press and the Department of Fine Arts, he decided to give me a rôle to create in Octave Feuillet’s play “Le Sphinx.” The principal rôle was for Croizette, but on hearing it read, I thought the part destined for me charming, and I resolved that it should also be the principal rôle. There would have to be two principal ones, that was all. The rehearsals went along very smoothly at the start, but it soon became evident that my rôle was more important than had been imagined, and friction soon began. Croizette, herself, got nervous; Perrin was annoyed, and all this by-play had the effect of calming me. Octave Feuillet, a shrewd, charming man, extremely well bred and slightly ironical, thoroughly enjoyed the skirmishes that took place. War was doomed to break out, however, and the first hostilities came from Sophie Croizette. I always wore in my bodice three or four roses which were apt to open under the influence of the warmth, and some of the petals naturally fell. One day, Sophie Croizette slipped down full length on the stage, and as she was tall and not slim, she fell rather indecently, and got up again ungracefully. The stifled laughter of some of the subordinate persons present stung her to the quick, and turning to me, she said: “It’s your fault, your roses fall and make everyone slip.” I began to laugh.