Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I had the ugly band routed by Claude and the lighthouse keeper and as
they took to throwing stones at us I pointed my gun at the little troop.
They fled howling. Only two boys, of six and ten years of age, stayed.
We did not take any notice of them and I installed myself a little
farther on, sheltered by a rock which kept the wind away. The two boys
followed. Claude and the lighthouse keeper were on the lookout to see
that the boys did not come back. They were stooping down over the
extreme point of the rock which was above our heads. They seemed
peaceful, when suddenly my young maid jumped up: “Horrors! Madame!
Horrors! They are throwing lice down on us!” And, in fact, the two
little good-for-nothings had been for the last hour searching for all
the vermin they could find on themselves and throwing them on us.
I had the two little beggars seized and they got a well-deserved
correction.
There was a _crevasse_ which was called the “Enfer du Plogoff.” I had a
wild desire to go down this _crevasse_, but the guardian dissuaded me,
constantly giving as objections the danger of slipping and his fear of
responsibility in case of accident. I persisted, nevertheless, in my
intention, and after a thousand promises, in addition to a certificate
to testify that notwithstanding the supplications of the guardian and
the certainty of the danger that I ran, I had persisted all the same,
etc., and after having made a small present of ten _louis_ to the brave
man, I obtained the facilities for descending the “Enfer du
Plogoff”—that is to say a wide belt to which a strong rope was fastened.
I buckled this belt round my waist, which was then so slender
(forty-three centimeters) that it was necessary to make additional holes
in order to fasten it.
Then the guardian put on each of my hands a wooden shoe, the sole of
which was bordered with big nails jutting out two centimeters. I stared
at these wooden shoes and asked for an explanation before putting them
on.
“Well,” said the guardian Lucas, “when I let you down, as you are no
fatter than a herringbone, you will get shaken about in the _crevasse_
and will risk breaking your bones; while if you have the _sabots_ on
your hands you can protect yourself against the walls by putting out
your arms to the right and the left, according as you are shaken up
against them. I do not say that you will not have a few—bangs—but that
is your own fault, you _will_ go. Now, listen, my little lady: when you
are at the bottom, on the rock in the middle, mind you don’t slip, for
that is the most dangerous of all; if you fell in the water I might pull
the rope, for sure, but I don’t answer for anything. In that cursed
whirlpool of water you might be caught between two stones and it would
be no use for me to pull—I should break the rope and that would be all.”
Public-domain text, read in full here on John Shaqi.
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