Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
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Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I went with him into the drawing-room and asked my question at once. He
had kept his hat on and took it off to recover his self-possession.
Before he could speak a word I got furiously angry—one of those rages
which I sometimes have, and which are more like attacks of madness. With
all that I felt of bitterness toward this man, toward Perrin, toward all
this theatrical world who should have loved me and upheld me, and who
betrayed me on every occasion—all that I had been accumulating of hot
anger during the rehearsals, the cries of revolt against the perpetual
injustice of these two men, Perrin and Dumas—I burst out with
everything, in an avalanche of stinging words, which were both furious
and sincere. I reminded him of his promise made in former days; of his
visit to my _hôtel_ in the Avenue de Villiers; of the cowardly and
underhand manner in which he had written of me, at Perrin’s request, and
on the wishes of the friends of Sophie.... I spoke vehemently, without
allowing him to edge in a single word. And when, worn out, I was forced
to stop, I murmured, out of breath with fatigue: “What—what—what have
you to say for yourself?”
“My dear child,” he replied, much touched, “if I had examined my own
conscience I should have said to myself all that you have just said to
me so eloquently. But I can truly say, in order to excuse myself a
little, that I really believed that you did not care at all about your
theater; that you much preferred your sculpture, your painting, and your
court. We have seldom talked together, and people led me to believe all
that which I was perhaps too ready to believe. Your grief and anger have
touched me deeply. I give you my word that the play shall keep its title
of ‘L’Etrangère.’ And now, embrace me with a good grace, to show that
you are no longer angry with me.”
I embraced him, and from that day we were good friends.
That evening I told the whole tale to Croizette, and I saw that she knew
nothing about this wicked scheme. I was very pleased to know that.
The play was very successful. Coquelin, Febvre, and I carried off the
laurels of the day.
Public-domain text, read in full here on John Shaqi.
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