Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I immediately did so, and the gas came out of its prison, whistling a
mocking air. The valve was shut by order of the aëronaut, and we
descended rapidly. Suddenly the stillness of the night was broken by the
sound of a horn. I trembled. It was Louis Godard, who had pulled out of
his pocket, which was a veritable storehouse, a sort of horn, on which
he blew with violence. A loud whistle answered our call, and 500 meters
below us we saw a man who was shouting his hardest to make us hear. As
we were very close to a little station we easily guessed that this man
was the station master.
“Where are we?” cried Louis Godard, with his horn.
“At—in—in—ille,” answered the station master. It was impossible to
understand.
“Where are we?” thundered Georges Clairin in his most formidable tones.
“At—in—in—ille,” shouted the station master with his hand curved round
his mouth.
“Where are we?” called I in my most crystalline accents.
“At—in—in—ille,” answered the station master—and his porters.
It was impossible to find out anything. We had to lower the balloon. At
first we descended rather too quickly and the wind blew us toward the
wood. We had to mount again. But ten minutes later we opened the valve
again and made a fresh descent. The balloon was then to the right of the
station, and far from the amiable station master.
“Throw out the anchor!” cried in a commanding tone young Godard. And
helped by Georges Clairin he threw out into space another rope, to the
end of which was fastened a formidable anchor. The rope was 80 meters
long.
Down below us a crowd of children of all ages had been running ever
since we stopped above the station. When we got to about 300 yards from
the earth, Godard called out to them: “Where are we?”
“At Vachère!”
None of us knew Vachère. But we descended nevertheless.
“Alloa! You down below there—take hold of the guide rope,” cried the
aëronaut, “and mind you don’t pull too hard!” Five vigorous men seized
hold of the rope. We were 130 meters from the ground, and the spectacle
became interesting. The night began to blot out everything. I raised my
head to see the sky, but I remained with my mouth open with
astonishment. I saw only the lower end of our balloon, which was
overhanging its base all loose and baggy. It was very ugly.
We anchored gently, without the little dragging which I hoped would
happen, and without the little drama which I had half expected.
It began to rain in torrents as we left the balloon.
The young owner of a neighboring _château_ ran up, like the peasants, to
see what was going on. He offered me his umbrella.
“Oh, I am so thin I cannot get wet! I pass between the drops.”
The word was repeated, and has become almost a proverb.
“What time is there a train?” asked Godard.
“Oh, you have plenty of time!” answered an oily and heavy voice. “You
cannot leave before ten o’clock, as the station is a long way from here,
and in such weather it will take the young lady two hours to walk
there.”
Public-domain text, read in full here on John Shaqi.
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