Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
For the next two or three days nothing was talked of in Paris but the
scandalous announcement of the _Times_. The French were then almost
entirely ignorant of the habits and customs of the English. At last all
this talk annoyed me, and I begged Perrin to try and stop it, and the
following day there appeared in the _National_ of the 29th of May:
“_Much Ado About Nothing._ In friendly discussion it has been decided
that outside the rehearsals and the performances of the Comédie
Française, each artist is free to employ his time as he sees fit. There
is therefore absolutely no truth at all in the pretended quarrel between
the Comédie Française and Mlle. Sarah Bernhardt. This _artiste_ has only
acted strictly within her rights, which nobody attempts to limit, and
all our _artistes_ intend to benefit in the same manner. The manager of
the Comédie Française asks only that the _artistes_ who form this
‘corps’ do not give performances in a body.”
This article came from the Comédie, and the members of the Committee had
taken advantage of it to advertise a little for themselves, announcing
that they also were ready to play in drawing-rooms, for the article was
sent to Mayer with a request that it should appear in the English
papers. It was Mayer himself who told me this.
All disputes being at an end, we commenced our preparations for
departure.
CHAPTER XXI
MY LONDON DÉBUT
I had never been on the sea when it was decided that the _artistes_ of
the Comédie Française should go to London. The determined ignorance of
the French concerning all things foreign was much more pronounced in
those days than it is at present. As for me, my ignorance was quite
pathetic. I had a very warm cloak made, as I had been assured that the
crossing was icy cold, even in the very middle of summer, and I believed
this. On every side I was besieged with lozenges for seasickness,
sedative for headache, tissue paper to put down my back, little compress
plasters to put on my diaphragm, and waterproof cork soles for my shoes,
for it appeared that above all things I must not have cold feet. Oh, how
droll and amusing it all was! I took everything, paid attention to all
the recommendations and believed everything I was told.
The most inconceivable thing of all, though, was the arrival, five
minutes before the boat started, of an enormous wooden case. It was very
light and was held by a tall young man, who to-day is a most remarkable
individual, with all the crosses, all the honors, an immense fortune,
and the most outrageous vanity. At that time he was a shy inventor,
young, poor, and sad; he was always buried in books which treated of
abstract questions, while of life he knew absolutely nothing. He had a
great admiration for me, mingled with a trifle of awe. My little court
had surnamed him “La Quenelle.” He was long, vacillating, colorless, and
really did resemble the thin roll of forcemeat in a _vol-au-vent_.
Public-domain text, read in full here on John Shaqi.
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