Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
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Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
I opened my eyes again. They were filled with tears, and through their
mist I caught a glimpse once more of the triumphant vitality which
surrounded me.
I wanted to return home at once, for I was acting that night for the
first time, and I felt rather wretched and despairing. There were
several persons awaiting me at my house in Chester Square, but I did not
want to see anyone. I took a cup of tea and went to the Gaiety Theater,
where we were to face the English public for the first time. I knew
already that I had been elected the favorite, and the idea of this
chilled me with terror, for I am what is known as a _traqueuse_. I am
subject to the _trac_ or stage fright, and I have it terribly. When I
first appeared on the stage I was timid, but I never had this _trac_. I
used to turn as red as a poppy when I happened to meet the eye of some
spectator. I was ashamed of talking so loud before so many silent
people. That was the effect of my cloistered life, but I found no
feeling of fear. The first time I ever had the real sensation of _trac_
or stage fright, was in the month of January, 1869, at the seventh or
perhaps the eighth performance of “Le Passant.” The success of this
little masterpiece had been enormous, and my interpretation of the part
of _Zanetto_ had delighted the public, and particularly the students.
When I went on the stage that day I was suddenly applauded by the whole
house. I turned toward the Imperial box, thinking that the Emperor had
just entered. But no, the box was empty, and I realized then that all
the bravos were for me. I was seized with a fit of nervous trembling,
and my eyes smarted with tears that I had to keep back. Agar and I were
called back five times and, on leaving the theater, the students ranged
on each side gave me three cheers. On reaching home I flung myself into
the arms of my blind grandmother, who was then living with me.
“What’s the matter with you, my dear?” she asked.
“It’s all over with me, grandmother,” I said, “they want to make a
‘star’ of me, and I haven’t talent enough for that. You’ll see they’ll
drag me down and finish me off with all their bravos.”
My grandmother took my head in her hands and I met the vacant look in
her large, light eyes fixed on me. “You told me, my child, that you
wanted to be the first in your profession, and when the opportunity
comes to you, why, you are frightened. It seems to me that you are a
very bad soldier.”
I drove back my tears and declared that I would bear up courageously
against this success which had come to interfere with my tranquillity,
my heedlessness and my “don’t-careism.” But, from that time forth, fear
took possession of me, and stage fright martyrized me.
Public-domain text, read in full here on John Shaqi.
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