That was quite enough to interest the public in these two women. It was the eternal struggle of good and evil, the combat between Vice and Virtue. But it evidently seemed rather commonplace to Dumas, ancient history, in fact, and he wanted to rejuvenate the old theme by trying to arrange for an orchestra with organ and banjo. The result he obtained was a fearful cacophony. He wrote a foolish piece, which might have been a beautiful one. The originality of his style, the loyalty of his ideas, and the brutality of his humor sufficed for rejuvenating old ideas, which, in reality, are the eternal basis of all tragedies, comedies, novels, pictures, poems, and pamphlets. It was Love between Vice and Virtue. Among the spectators who saw the first performance of “L’Etrangère” in London, and there were quite as many French as English present, not one remarked that there was something wanting, and not one of them said that he had not understood the character. I talked about it to a very learned Frenchman. “Did you notice the gap in the third act?” I asked him. “No,” he replied. “In my big scene with Croizette?” “No.” “Well, then, read what I left out,” I insisted. When he had read this he exclaimed: “So much the better. It’s very dull, all that story, and quite useless. I understand the character without all that rigmarole and that romantic history.” Later on, when I apologized to Dumas _fils_ for the way in which I had cut down his play, he answered: “Oh, my dear child, when I write a play I think it is good, when I see it played I think it is stupid, and when any anyone tells it to me, I think it is perfect, as the person always forgets half of it.” The performances given by the Comédie Française drew a crowd nightly to the Gaiety Theater, and I remained the favorite. I mention this now with pride, but without any vanity. I was very happy and very grateful for my success, but my comrades had a grudge against me on account of it, and hostilities began in an underhand, treacherous way. Mr. Jarrett, my adviser and agent, had assured me that I should be able to sell a few of my works, either my sculpture or paintings. I had, therefore, taken with me six pieces of sculpture and ten pictures, and I had an exhibition of them in Piccadilly. I sent out invitations, about a hundred in all. His Royal Highness, the Prince of Wales, let me know that he would come with the Princess of Wales. The English aristocracy and the celebrities of London came to the inauguration. I had sent out only a hundred invitations, but twelve hundred people arrived, and were introduced to me. I was delighted and enjoyed it all immensely.