Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
The average of the receipts was 9,000 francs, and I left London with
regret—I who had left it with so much pleasure the first time. But
London is a city apart; its charm unveils little by little. The first
impression for a Frenchman or woman is that of keen suffering, of mortal
_ennui_. Those tall houses with sash windows without curtains; those
ugly monuments, all in mourning with the dust and grime, and black with
greasy dirt; those flower sellers at the corners of all the streets with
faces sad as the rain and bedraggled feathers in their hats and
lamentable clothing; the black mud of the streets; the low sky; the
funereal mirth of drunken women hanging on to men just as drunk; the
wild dancing of disheveled children round the street organs, as numerous
as the omnibuses—all that caused, twenty-five years ago, an indefinite
suffering to a Parisian. But little by little one finds that the
profusion of the squares is restful to the eyes; that the beauty of the
aristocratic ladies effaces the image of the flower sellers.
The constant movement of Hyde Park, and especially of Rotten Row, fills
the heart with gayety. The broad English hospitality which was
manifested from the first moment of making an acquaintance; the wit of
the men, which compares favorably with the wit of Frenchmen; and their
gallantry, much more respectful and therefore much more flattering, left
no regrets in me for French gallantry.
But I prefer our pale mud to the London black mud; and our windows
opening in the centre to the horrible sash windows. I find also that
nothing marks more clearly the difference of character of the two
nations than their respective windows. Ours open wide, the sun enters
into our houses even to the heart of the dwelling, the air sweeps away
all the dust and all the microbes. They shut in the same manner, simply,
as they open.
English windows open only halfway, either the top half or the bottom
half. One may even have the pleasure of opening them a little at the top
and a little at the bottom, but not at all in the middle. The sun cannot
enter openly, nor the air. The window keeps its selfish and perfidious
character. I hate the English windows. But now I love London, and—is
there any need to add?—its inhabitants. Since my first visit I have
returned there twenty-one times, and the public has always remained
faithful and affectionate.
After this first test of my freedom, I felt more sure of life than
before. Although I was very weakly of constitution, the possibility of
doing as I wanted without let or hindrance and without control, calmed
my nerves; and with a strengthened nervous system, my health, which had
been weakened by perpetual irritations and by excessive work, recovered
its tone. I reposed on the laurels which I had gathered myself—and I
slept better. Sleeping better I commenced to eat better. And great was
the astonishment of my little court when they saw their idol come back
from London round and rosy.
Public-domain text, read in full here on John Shaqi.
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