Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
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Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
“Well, I have thought of something for you. And if you like to make your
return to Paris in a play of Victorien Sardou’s, I will sign with you at
once for the Vaudeville.”
“Ah!” I cried. “The Vaudeville! What are you thinking of? Raymond
Deslandes is the manager and he hates me like poison because I ran away
from the Gymnase the day following the first performance of his play:
‘Un Mari qui Lance sa Femme.’ His play was ridiculous, and I was even
more ridiculous than his play in the part of a young Russian lady
addicted to dancing and eating sandwiches. That man will never engage
me!”
He smiled. “My brother is the partner of Raymond Deslandes. My
brother ... to put it plainly, is myself. All the money brought by us is
mine! I am the sole master! What do you want to earn?”
“But...? I really don’t know.”
“Will fifteen hundred francs per performance suit you?”
I looked at him in stupefaction, not quite sure if he was in his right
mind.
“But, monsieur, if I do not succeed you will lose money, and I cannot
agree to that.”
“Do not be afraid,” he said. “I can assure you it will be a success—a
colossal success. Will you sign? And I will also guarantee you fifty
performances!”
“Oh, no, never! I will sign willingly, for I admire the talent of
Victorien Sardou, but I do not want any guarantee. Success will depend
on Victorien Sardou, and after him on me. So I sign and thank you for
your confidence.”
At my afternoon teas I showed the new contract to my friends, and they
were all of opinion that luck was on my side in the matter of my
resignation.
Only three days remained to me in Paris. My heart was sore at the idea
of leaving France, for many sorrowful reasons.... But in these memoirs I
have put to one side all that touches the inner part of my life. There
is one “I” which lives another life, and whose sensations, sorrows,
joys, and griefs are born and die for a very small number of hearts.
But I felt the need of another atmosphere, of vaster space, of other
skies.
I left my little boy with my uncle who had five boys of his own. His
wife was a rigid Protestant, but kind, and my cousin Louise, their
eldest daughter, was witty and highly intelligent. She promised me to be
on the lookout and to let me know at once if there was anything I ought
to know.
[Illustration: BUST OF VICTORIEN SARDOU, BY SARAH BERNHARDT.]
Public-domain text, read in full here on John Shaqi.
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