Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
“Will you allow me to finish my sketch, madame?” he asked.
I remained standing, my profile turned toward him at his request. When
he had finished I asked to see what he had done and, perfectly
unabashed, he handed me his horrible drawing of a skeleton with a curly
wig. I tore the sketch up and threw it at him, but the following day
that horror appeared in the papers, with a disagreeable inscription
underneath it. Fortunately I was able to speak seriously about my art
with a few honest and intelligent journalists, but twenty-five years ago
reporters’ paragraphs were more appreciated in America than serious
articles, and the public, very much less literary then than at present,
always seemed ready to echo the turpitudes invented by reporters hard up
for copy. I should think that no creature in the world, since the
invention of _reportage_, has ever had as much to endure as I had during
that first tour. The basest calumnies were circulated by my enemies long
before I arrived in America; there was all the treachery of the friends
of the Comédie and even of my own admirers, who hoped that I should not
succeed on my tour so that I might return more quickly to the fold,
humiliated, calmed down, and subdued. Then there were the exaggerated
announcements invented by my _impresario_, Abbey, and my representative,
Jarrett. These announcements were often outrageous and always
ridiculous, but I did not know their real source until long afterwards
when it was too late, much too late, to undeceive the public, who were
fully persuaded that I was the instigator of all these inventions. I
therefore did not attempt to undeceive them. It matters very little to
me whether people believe one thing or another. Life is short, even for
those who live a long time, and we must live for the few who know and
appreciate us, who judge and absolve us, and for whom we have the same
affection and indulgence. The rest I look upon as a mere crowd, lively
or sad, loyal or corrupt, from whom there is nothing to be expected but
fleeting emotions, either pleasant or unpleasant, which leave no trace
behind them. We ought to hate very rarely, as it is too fatiguing,
remain indifferent to a great deal, forgive often and never forget.
Forgiving does not mean forgetting, at least it does not with me. I will
not mention here any of the outrageous and infamous attacks that were
made upon me, as it would be doing too great an honor to the wretched
people who were responsible for them from beginning to end, dipping
their pen in the gall of their own soul. All I can say is that nothing
kills but death, and that anyone who wishes to defend himself or herself
from slander can do it. For that one must live. It is not given to
everyone to be able to do it, but it depends on the will of God who sees
and judges.
CHAPTER XXVI
NEW YORK AND BOSTON
Public-domain text, read in full here on John Shaqi.
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