Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
He then turned to his regiment of men, made an abrupt sign with his
hand, and uttered some word of command, whereupon the forty dirty hands
of these twenty men proceeded to forage among my velvets, satins, and
laces. I rushed forward to save my poor dresses from such outrageous
violations, and I ordered our costume maker to lift my gowns out one at
a time, which she accordingly did, aided by my maid, who was in tears at
the small amount of respect shown by these boors to all my beautiful,
fragile things. Two ladies had just arrived, very noisy and
businesslike. One of them was short and stout, her nose seemed to begin
at the roots of her hair; she had round, placid-looking eyes and a mouth
like a snout; her arms she was hiding timidly behind her heavy, flabby
bust and her ungainly knees seemed to come straight out of her groin.
She looked like a seated cow. Her companion was like a terrapin, with
her little, black, evil-looking head at the end of a neck which was too
long, and very stringy. She kept shooting it out of her boa and drawing
it back with the most incredible rapidity. The rest of her body bulged
out.... These two delightful persons were the dressmakers sent for by
the customhouse to estimate my costumes. They glanced at me in a furtive
way and gave a little bow, full of bitterness and jealous rage at the
sight of my dresses, and I was quite aware that two more enemies had now
come upon the scene. These two odious shrews began to chatter and argue,
pawing and crumpling my dresses and cloaks at the same time. They kept
exclaiming in the most emphatic way: “Oh, how beautiful! What
magnificence! What luxury! All our customers will want gowns like these
and we shall never be able to make them! It will be the ruin of all the
American dressmakers.” They were working up the judges into a state of
excitement for this “chiffon court martial.” They kept lamenting, then
going into raptures and asking for “justice” against foreign invasion.
The ugly band of men nodded their heads in approval and spat on the
ground to affirm their independence. Suddenly the Terrapin turned on one
of the inquisitors:
“Oh, isn’t it beautiful! Show it them, show it them!” she exclaimed,
seizing on a dress all embroidered with pearls, which I wore in “La Dame
aux Camélias.”
“This dress is worth at least $10,000,” she said and then, coming up to
me she asked: “How much did you pay for that dress, madame?”
Public-domain text, read in full here on John Shaqi.
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