Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
A large crowd was assembled at the station. There were reporters and
curious men and women, a public decidedly more interested than friendly,
not badly intentioned but by no means enthusiastic. Public opinion in
New York had been greatly occupied with me during the past month. I had
been so much criticised and glorified. Calumnies of all kinds, stupid
and disgusting, foolish and odious, had been circulated about me. Some
people blamed and others admired the disdain with which I had treated
these turpitudes, but everyone knew that I had won in the end, and that
I had triumphed over all and everything. Boston knew, too, that
clergymen had preached from their pulpits saying that I had been sent by
the Old World to corrupt the New World, that my art was an inspiration
from hell, etc., etc. Everyone knew all this, but the public wanted to
see for itself. Boston belongs especially to the women. Tradition says
that it was a woman who first set foot in Boston. Women form the
majority there. They are puritanical with intelligence, and independent
with a certain grace. I passed between the two lines formed by this
strange, courteous, and cold crowd, and, just as I was about to get into
my carriage a lady advanced toward me and said: “Welcome to Boston,
madame.”
“Welcome, madame,” and she held out a soft little hand to me. (American
women generally have charming hands and feet.) Other people now
approached and smiled, and I had to shake hands with many of them. I
took a fancy to this city at once, but all the same I was furious for a
moment when a reporter sprang on to the steps of the carriage just as we
were driving away. He was in a greater hurry and more audacious than any
of the others, but he was certainly overstepping the limits and I pushed
the wretched man back angrily. Jarrett was prepared for this and saved
him by the collar of his coat; otherwise he would have fallen down on
the pavement as he deserved.
“At what time will you come and get on the whale to-morrow?” this
extraordinary personage asked. I gazed at him in bewilderment. He spoke
French perfectly and repeated his question.
“He’s mad,” I said in a low voice to Jarrett.
“No, madame, I am not mad, but I should like to know at what time you
will come and get on the whale. It would be better perhaps to come this
evening, for we are afraid it may die in the night, and it would be a
pity for you not to come and pay it a visit while it still has breath.”
He went on talking, and as he talked, he half seated himself beside
Jarrett who was still holding him by the collar, lest he should fall out
of the carriage.
“But, monsieur,” I exclaimed. “What do you mean? What is all this about
a whale?”
“Ah! madame,” he replied, “it is admirable, enormous. It is in the
harbor basin and there are men employed day and night to break the ice
all round it.”
He broke off suddenly and standing on the carriage step he clutched the
driver.
Public-domain text, read in full here on John Shaqi.
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